作为当下时刻序列的世界:唐·德里罗《白噪音》中社会时间的空间化

Soumaya Bouacida
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摘要

本文着重分析了唐·德里罗(Don DeLillo)的《白噪音》(1985)中的消费主义问题,以及它的表现形式及其对后现代身份建构的影响。它还揭示了消费者如何利用空间化的时间来克服对死亡的恐惧。由于消费主义是伴随着大众传媒而来的,所以本文讨论了与消费主义和空间化的社会时间相关的模拟和超现实。除此之外,它还关注同时性作为空间化时间的另一个方面。在叙述中加入希特勒的形象,德里罗将过去与现在并列,从而创造了时间的空间化。希特勒的形象代表了消费主义的另一个方面。这部小说的主人公杰克·格拉德尼(Jack Gladney)倾向于消耗希特勒的形象,以获得权力,这将在接下来的几页中进行分析。关键词:空间化的社会时间,白噪音,唐·德里罗,消费主义,当下时刻
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The World as a Sequence of Present Moments: The Spatialization of Social Time in Don DeLillo’s White Noise
This paper highlights the issue of consumerism in Don DeLillo’s White Noise (1985), as well as its representation and its effects on the construction of postmodern identity. It also reveals how consumers resort to spatialized time as a way to overcome the fear of death. Since consumerism goes along with mass media, this paper discusses simulation and hyper-reality in relation to consumerism and the spatialized social time. In addition to this, it pays attention to simultaneity as another aspect of spatialized time. In incorporating the figure of Hitler in the narrative, DeLillo juxtaposes the past with the present and thus creates a spatialization of time. The figure of Hitler represents another aspect of consumerism. The protagonist of this novel, Jack Gladney, tends to consume Hitler’s image in order to acquire power as will be analyzed in the coming pages. Keywords: Spatialized Social Time, White Noise, Don Delillo, Consumerism, Present Moment.
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