{"title":"在舞台上","authors":"V. West-Harling","doi":"10.1093/OSO/9780198754206.003.0005","DOIUrl":null,"url":null,"abstract":"This chapter sets out the stage on which the actors evolve and their ‘props’: places of power and instruments of control. Places studied are the residences of the rulers and the elites (palaces), and those of the saints (churches and monasteries), with their founders, patrons, relics, and liturgy. Instruments of control are firstly through manifestations of power: charity and assistance, art and architecture. Statements of power are made through titulature, the dating of documents, coinage, and objects of power such as emblems, symbols, and gifts","PeriodicalId":294016,"journal":{"name":"Rome, Ravenna, and Venice, 750-1000","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Stage\",\"authors\":\"V. West-Harling\",\"doi\":\"10.1093/OSO/9780198754206.003.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter sets out the stage on which the actors evolve and their ‘props’: places of power and instruments of control. Places studied are the residences of the rulers and the elites (palaces), and those of the saints (churches and monasteries), with their founders, patrons, relics, and liturgy. Instruments of control are firstly through manifestations of power: charity and assistance, art and architecture. Statements of power are made through titulature, the dating of documents, coinage, and objects of power such as emblems, symbols, and gifts\",\"PeriodicalId\":294016,\"journal\":{\"name\":\"Rome, Ravenna, and Venice, 750-1000\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rome, Ravenna, and Venice, 750-1000\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780198754206.003.0005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rome, Ravenna, and Venice, 750-1000","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780198754206.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter sets out the stage on which the actors evolve and their ‘props’: places of power and instruments of control. Places studied are the residences of the rulers and the elites (palaces), and those of the saints (churches and monasteries), with their founders, patrons, relics, and liturgy. Instruments of control are firstly through manifestations of power: charity and assistance, art and architecture. Statements of power are made through titulature, the dating of documents, coinage, and objects of power such as emblems, symbols, and gifts
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