放松管制与博物馆和艺术画廊支持法案:以博物馆的法律定义和分类为重点

Sohyun Park
{"title":"放松管制与博物馆和艺术画廊支持法案:以博物馆的法律定义和分类为重点","authors":"Sohyun Park","doi":"10.52564/jamp.2023.65.169","DOIUrl":null,"url":null,"abstract":"Until recently, there have been constant calls for a complete revision of the Museum and Art Gallery Support Act. At the center is the argument that the legal definition and conceptual system for museums and art galleries should be corrected. This paper tried to clarify why the legal definition, scope of application, and classification system of museums and art galleries are always and still important issues. The government-wide deregulation stance and the quantitative expansion of cultural facilities at the cultural policy level, which began in earnest in the 1990s, were factors that drove the process of enacting and revising the law. In the process, the policy direction of museums and art galleries, quantitative expansion through deregulation, was established, and active adjustment of the legal definition, scope of application, and classification system became the core strategy of deregulation. In other words, the provisions on the definition, scope, and classification system were repeatedly revised to maximize the effect of quantitative expansion by lowering the threshold of legal boundaries of museums and art galleries as much as possible and expanding the scope as possible. As a result, the problems caused by the revision have been repeatedly pointed out since the 2000s, but the revision for the re-establishment of the conceptual system was considered contrary to deregulation and was not made. And the confusion of the conceptual system in law became and amplified the confusion of reality. Based on existing studies, this paper attempted to problemize the confusion caused by the policy stance of deregulation into specific legal issues.","PeriodicalId":424388,"journal":{"name":"Korean Arts Association of Arts Management","volume":"20 5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Deregulation and the Museum and Art Gallery Support Act: Focusing on the Museum’s Legal Definition and Classification\",\"authors\":\"Sohyun Park\",\"doi\":\"10.52564/jamp.2023.65.169\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Until recently, there have been constant calls for a complete revision of the Museum and Art Gallery Support Act. At the center is the argument that the legal definition and conceptual system for museums and art galleries should be corrected. This paper tried to clarify why the legal definition, scope of application, and classification system of museums and art galleries are always and still important issues. The government-wide deregulation stance and the quantitative expansion of cultural facilities at the cultural policy level, which began in earnest in the 1990s, were factors that drove the process of enacting and revising the law. In the process, the policy direction of museums and art galleries, quantitative expansion through deregulation, was established, and active adjustment of the legal definition, scope of application, and classification system became the core strategy of deregulation. In other words, the provisions on the definition, scope, and classification system were repeatedly revised to maximize the effect of quantitative expansion by lowering the threshold of legal boundaries of museums and art galleries as much as possible and expanding the scope as possible. As a result, the problems caused by the revision have been repeatedly pointed out since the 2000s, but the revision for the re-establishment of the conceptual system was considered contrary to deregulation and was not made. And the confusion of the conceptual system in law became and amplified the confusion of reality. Based on existing studies, this paper attempted to problemize the confusion caused by the policy stance of deregulation into specific legal issues.\",\"PeriodicalId\":424388,\"journal\":{\"name\":\"Korean Arts Association of Arts Management\",\"volume\":\"20 5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-02-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Korean Arts Association of Arts Management\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52564/jamp.2023.65.169\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Korean Arts Association of Arts Management","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52564/jamp.2023.65.169","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

直到最近,一直有人呼吁彻底修改《博物馆和美术馆支持法》。争论的核心是,博物馆和美术馆的法律定义和概念体系应该得到纠正。本文试图阐明为什么博物馆和美术馆的法律定义、适用范围和分类制度一直是而且仍然是重要的问题。从上世纪90年代开始,在文化政策层面,政府的放宽限制立场和文化设施的数量扩大,是推动《文化遗产法》制定和修改过程的因素。在此过程中,确立了放松管制量化扩张的博物馆美术馆政策方向,积极调整法律定义、适用范围和分类制度成为放松管制的核心策略。也就是说,为了尽可能降低博物馆和美术馆的法定界限门槛,尽可能扩大范围,对定义、范围和分类体系的规定进行了反复修改,使数量扩张的效果最大化。因此,自2000年代以来,因修改而引发的问题不断被指出,但为重新建立概念体系而进行的修改被认为与放松管制背道而驰,因此没有进行修改。法律概念体系的混乱成为并放大了现实的混乱。在现有研究的基础上,本文试图将放松管制的政策立场所造成的混淆问题转化为具体的法律问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Deregulation and the Museum and Art Gallery Support Act: Focusing on the Museum’s Legal Definition and Classification
Until recently, there have been constant calls for a complete revision of the Museum and Art Gallery Support Act. At the center is the argument that the legal definition and conceptual system for museums and art galleries should be corrected. This paper tried to clarify why the legal definition, scope of application, and classification system of museums and art galleries are always and still important issues. The government-wide deregulation stance and the quantitative expansion of cultural facilities at the cultural policy level, which began in earnest in the 1990s, were factors that drove the process of enacting and revising the law. In the process, the policy direction of museums and art galleries, quantitative expansion through deregulation, was established, and active adjustment of the legal definition, scope of application, and classification system became the core strategy of deregulation. In other words, the provisions on the definition, scope, and classification system were repeatedly revised to maximize the effect of quantitative expansion by lowering the threshold of legal boundaries of museums and art galleries as much as possible and expanding the scope as possible. As a result, the problems caused by the revision have been repeatedly pointed out since the 2000s, but the revision for the re-establishment of the conceptual system was considered contrary to deregulation and was not made. And the confusion of the conceptual system in law became and amplified the confusion of reality. Based on existing studies, this paper attempted to problemize the confusion caused by the policy stance of deregulation into specific legal issues.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信