气味的物质培养

W. Tullett
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引用次数: 0

摘要

如果从规范上讲,烟草是男性的专利,那么嗅瓶就是嗅觉女性的视觉象征。1700年左右,嗅瓶取代了更早的物品——香壶,成为与气味相关的最受欢迎的物质文化形式。这种转变说明了几个更广泛的变化。从奶瓶到嗅瓶的转变是从子宫到鼻子的生理转变;一种具体的转变,从漏洞到堵塞的肉体的愿景;以及从创造氛围到缓解他人创造的氛围的实际转变。嗅瓶的设计、使用和文化表现都证明了这些重要的转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Material Cultures of Scent
If tobacco was, normatively speaking, the preserve of masculinity then the smelling bottle was the visual symbol of olfactory femininity. Around 1700 the smelling bottle replaced an earlier object, the pomander, as the most popular form of material culture associated with smell. This shift illustrates several wider changes. The shift from the pomander to smelling bottle was a physiological shift from womb to nose; an embodied shift from leaky to stoppered-up visions of corporeality; and a practical shift from creating atmosphere to mitigating against atmospheres created by others. The design, use, and cultural representation of the smelling bottle all testified to these important shifts.
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