NEFFIE项目:技术创新、艺术共创、社会增强体验

Benedetta Carraro, A. Sanna, Francesca Pola, Matteo Zardin
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摘要

本文介绍了NEFFIE(即“神经美学摄影”)项目,这是对佛朗哥·瓦卡里的标志性作品的当代重新诠释,该作品于50年前的1972年国际威尼斯艺术双年展上展出,题为“实时展览No. 4:在墙上留下你短暂访问的摄影痕迹”。由于今天的技术创新,NEFFIE从更现代的角度发展了Vaccari的想法。Vaccari最初的照相亭变成了一个经过技术改造的照相亭,它使用算法和可穿戴传感器来重塑观看特定图像时产生的主观情绪认知反应,从而产生“认知照片”或“COFFIE元摄影”。这些元图像随后被铸造成nft(不可替代的代币)对象,然后展示在虚拟墙上,“COFFIE墙”,产生可以被定义为实时虚拟展览的东西,这是对Vaccari艺术命题的假设当代重新实现。NEFFIE项目可以被认为是一个普遍的媒体艺术建议,能够通过鼓励创造性参与和共同创造来促进社会凝聚力。由于圣拉斐尔医院的健康和福祉先进技术研究中心与ICONE(欧洲Vita-Salute圣拉斐尔大学形象历史和理论研究中心)之间富有成效的跨学科合作,该项目正在米兰开发。这种多学科的方法将艺术史理论思维与技术创新世界相结合。特别是,NEFFIE项目将摄影的视觉和概念工具与生物医学工程和计算机科学的方法和知识相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The NEFFIE project: Technological innovation, artistic co-creation and social augmented experience
This article presents the NEFFIE (which stands for ‘Neuroaesthetic Photography’) project, a contemporary reinterpretation of Franco Vaccari’s iconic artwork, presented 50 years ago at the 1972 International Venice Art Biennale and entitled Exhibition in Real Time No. 4: Leave on the Walls a Photographic Trace of Your Fleeting Visit. Thanks to today’s technological innovation, NEFFIE develops Vaccari’s idea from a more contemporary perspective. Vaccari’s original photo booth becomes a technologically revisited booth that uses an algorithm and wearable sensors to reshape the subjective emotional-cognitive responses derived from viewing particular images, thus generating the ‘cognitive photograph’ or ‘COFFIE metapicture’. These metapictures are subsequently minted as NFTs (non-fungible tokens) objects and then displayed on a virtual wall, the ‘COFFIE wall’, generating what can be defined as a Virtual Exhibition in Real Time, a hypothetical contemporary re-actualization of Vaccari’s artistic proposition. The NEFFIE project could be considered a pervasive media art proposal capable of promoting social cohesion, by encouraging creative participation and co-creation. The project is being developed in Milan, thanks to a fruitful interdisciplinary collaboration between the Research Center in Advanced Technology in Health and Well-Being of San Raffaele Hospital, and ICONE, the European Research Center in History and Theory of the Image of Vita-Salute San Raffaele University. This multidisciplinary approach combines art-historical theoretical thinking with the world of technological innovation. In particular, the NEFFIE project integrates the visual and conceptual tools of photography with the methodologies and knowledge of biomedical engineering and computer science.
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