普里什文与海多克:关于满洲、人与真理的对话(《真神》与《满洲之星》)

Е. А. Khudenko
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摘要

本文致力于对文学“共时性”现象的思考,即在生活空间中从未相互交叉的作者的文本中哲学和诗歌身份现象的同时期出现。通过对普里什文著名小说《人参》和海多克不为人知的短篇小说集《满洲之星》的比较分析,我们可以发现,两位作者的创作探索都是以相同的方式发展起来的。通过对东方自然和东方哲学的理解,作家们认识到一切生物的统一性,以及万物在单一存在流中的相互联系。新浪漫主义自然的绘画,逃避现实的动机,音乐,对理想女性原则的追求,“幸福的钥匙”和人类存在的真相在这两个文本中发挥着同样重要的作用。这一切不仅使我们能够以一种新的方式理解普里什文的创作,而且使我们能够理解20世纪30年代在两个分支的统一中的文学进程-大都市和俄罗斯移民“第一波”的东线。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
M. PRISHVIN AND A. HAYDOCK: A DIALOGUE ABOUT MANCHURIA, MAN AND TRUTH (“ZHEN-SHEN” AND “STARS OF MANCHURIA”)
The article is devoted to the consideration of the phenomenon of literary «synchrony» – contemporaneous appearance of the phenomenon of philosophical and poetical identity in the texts of authors who never crossed with each other in the living space. A comparative analysis of the famous novel by M. Prishvin “ Ginseng “ and the little-known collection of short stories by A. Haydock “The Stars of Manchuria” suggests that the creative searches of the authors developed in the same way. Through the comprehension of eastern nature and Eastern philosophy, writers come to the idea of the unity of all living things and the interconnectedness of everything with this in a single stream of Being. Paintings of neo-romantic nature, motives of escape from reality, music, the search for the ideal feminine principle, the “keys of happiness” and the truth of human existence play an equally significant role in both texts. All this allows us to understand in a new way not only the Prishvin creativity, but also the literary process of the 1930s in the unity of two branches – the metropolis and the eastern line of the «first wave» of Russian emigration.
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