作为表演者的音乐:莫扎特和唐璜的结局

{"title":"作为表演者的音乐:莫扎特和唐璜的结局","authors":"Mathilde Reichler","doi":"10.58282/colloques.8200","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":268174,"journal":{"name":"Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019)","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La musique comme interprète : Mozart et la fin de Don Giovanni\",\"authors\":\"Mathilde Reichler\",\"doi\":\"10.58282/colloques.8200\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":268174,\"journal\":{\"name\":\"Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019)\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58282/colloques.8200\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58282/colloques.8200","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}