坡的《钟声》罗马尼亚语翻译中的语音模式

Maria-Teodora Creangă
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引用次数: 0

摘要

在世界上任何时期的所有翻译作品中,诗歌都只占很小的比例。在所有的翻译理论家中,只有少数人探讨了诗歌翻译问题,原因无需赘述。下面的文章讨论了埃德加·爱伦·坡的《钟声》的两个罗马尼亚语译本,重点讨论了译者在将英语的语音模式转换为罗马尼亚语时所使用的方法和技巧。目的是确定目的语文本在多大程度上是在编曲和美学功能方面的忠实复制品,以及结果是否因语音模式的转移而遭受了任何意义转换。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Phonological Patterns in the Translations of Poe’s “The Bells” into Romanian
Abstract Of all translation work in the world at any given time, poetry makes up just a small proportion. And of all theorists in translation, only a few tackled the issue of poetry translation for reasons that need no expatiation. The article below discusses two translations into Romanian of Edgar Allan Poe’s “The Bells,” focusing on the approaches and techniques used by the translators in what concerns the transfer of phonological patterns from English into Romanian. The aim is to determine to what extent the target-language texts are faithful replicas in terms of orchestration and aesthetic function, and, whether the outcome has suffered any meaning transformation as a result of the transfer of phonological patterns.
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