砸屏:幻想智能时代的偶像破坏者

Tiffany Shlain, Ken Goldberg
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引用次数: 1

摘要

“20世纪晚期的机器已经彻底模糊了自然和人工、心灵和身体、自我发展和外部设计之间的区别,以及许多其他曾经适用于有机体和机器的区别。我们的机器活跃得令人不安,而我们自己却呆滞得令人恐惧。”——唐娜·哈拉威。猿人、半机械人和女人:自然的再创造。哈拉威在1990年哀叹的界限被万维网、无线网络、智能手机进一步侵蚀,而今天又被社交媒体、假新闻、人工智能的说法和即将到来的“奇点”所侵蚀。所有的界限真的都是虚幻的吗?或者我们可以通过积极地主张我们自己和机器之间的界限来质疑幻觉的幻觉吗?艺术合作伙伴Shlain和Goldberg将描述他们的艺术项目和技术经验如何引导他们重新发现旧的障碍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Screen Smashing: Iconoclasty in an Age of Illusionary Intelligence
"Late twentieth-century machines have made thoroughly ambiguous the difference between natural and artificial, mind and body, self-developing and externally designed, and many other distinctions that used to apply to organisms and machines. Our machines are disturbingly lively, and we ourselves are frighteningly inert." - Donna Haraway. Simians, Cyborgs, and Women: The Reinvention of Nature. The boundaries that Haraway lamented in 1990 were further eroded by the World Wide Web, wireless networks, smartphones, and today by social media, fake news, claims about Artificial Intelligence and an impending "Singularity". Are all boundaries truly illusionary? Or can we question illusions of illusion by actively asserting boundaries between ourselves and our machines? Artistic collaborators Shlain and Goldberg will describe how their art projects and experiences with technology are leading them to rediscover old barricades.
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