四十年代秋千,好莱坞闪电

C. Hill
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引用次数: 0

摘要

本章讨论了尼古拉斯兄弟与二十世纪福克斯公司签订的五年合同下的好莱坞歌舞片,这使他们在摇摆时代以爵士踢踏舞者的身份声名鹊起。在《阿根廷之路》中,尽管兄弟俩出场的镜头只有三分半钟,但观众们还是蜂拥到剧院去看他们表演主打歌。在多萝西·丹德里奇的《太阳谷小夜曲》中,兄弟乐队的查塔努加啾啾是摇摆音乐的听觉和视觉体现。在《乐团之妻》中,哈罗德表演了一个从跑上墙到后空翻和劈腿的动作,这在电影中从未出现过。在《暴风雨》中,法亚德跳下了一个台阶,然后劈开了一个台阶,哈罗德像青蛙一样跳过法亚德,再跳到下一个台阶,然后又劈开了一个台阶,兄弟俩轮流跳过对方,直到到达楼梯底部——弗雷德·阿斯泰尔说,这是他在电影中见过的最精彩的动作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forties Swing, Hollywood Flash
This chapter discusses the Hollywood musical films of the Nicholas Brothers under a five-year contract with Twentieth Century-Fox that brought them to the highest level of notoriety as jazz tap dancers in the Swing era. In Down Argentine Way, despite the mere three-and-a-half-minute scene in which the Brothers appeared, audiences flocked to the theater to see them perform the title song. In Sun Valley Serenade, with Dorothy Dandridge, the Brothers’ Chattanooga Choo Choo number was the aural and visual embodiment of swing music. In Orchestra Wives, Harold performed a run-up-the-wall into a backward flip and split that had never before been seen on film. And in their spectacular Jumping Jive number in Stormy Weather, Fayard jumped down one step and landed in a split, Harold leap-frogged over Fayard and landed on the next step into another split, and the Brothers alternately jumped over each other until they reached the bottom of the stairs—a routine Fred Astaire said was the greatest he had ever seen on film.
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