海员为什么要死?库尔斯克悲剧与旧约血祭的唤起

E. Kahla
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引用次数: 0

摘要

本章讨论了“精神国防”背景下的政教合作;它比较了2000年8月12日在巴伦支海沉没的库尔斯克号潜艇悲剧在文化作品中所代表的不同观点。这表明,俄罗斯世俗领导人不愿处理对过去的管理,特别是对斯大林主义压迫者的惩罚,通过美化受害者——这里是库尔斯克号的海员——作为殉道者来补偿。Тhe对殉道者的赞颂源自旧约圣经中关于血祭的神学(摩西下书24:8),这使得穆斯林殉道者与东正教殉道者一起被纪念成为可能。一些神学家声称,俄罗斯需要这些牺牲,才能在后无神论时代的价值观真空中从精神上觉醒,俄罗斯人民必须为放弃祖先的基督教信仰而忏悔。在这一系列关于血祭和需要悔改的护教学中,新约中关于耶稣通过完美的献祭完全净化和救赎罪的应许(马太福音26:28)并没有被提及。我的阅读详细阐述了(当时)赫古曼·米特罗凡(巴达宁)(2010)的纪念专辑《库尔斯克的永恒之灯》,以及丹麦导演托马斯·温特伯格(2018)的戏剧电影《库尔斯克》,他的电影展示了泛欧的愿景,含蓄地基于新约的承诺。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Why Did the Seamen Have to Die? The Kursk Tragedy and the Evoking of Old Testament Blood Sacrifice
This chapter addresses church-state collaboration in the context of ‘spiritual national defence’; it compares different views represented in cultural productions on the tragedy of the submarine Kursk, that which sank in the Barents Sea, on 12 August 2000. It suggests that the Russian secular leadership’s reluctance to deal with the management of the past, especially concerning the punishment of Stalinist oppressors, is compensated by glorifying victims – here, the seamen of the Kursk – having died on duty, as martyrs. Тhe glorification of martyrs derives from Old Testament theology of blood sacrifice (2 Moses, 24:8), and makes it possible to commemorate Muslim martyrs together with Orthodox Christian ones. Some theologians have claimed that Russia had needed these sacrifices to spiritually wake up in the post-atheist vacuum of values, and that the Russian people had to repent for having abandoned their forefathers’ Christian faith. In this line of apologetics of blood sacrifices and need to repent, the New Testament’s promise of Jesus’s complete purgation and redemption of sin through perfect sacrifice (Matt. 26:28) is not mentioned. My reading elaborates on the commemorative album Everlasting Lamp of Kursk by (then) Hegumen Mitrofan (Badanin) (2010), as well as on the drama film Kursk by Danish director Thomas Vinterberg (2018), whose film illustrates pan-European visions, based implicitly on the New Testament promise.
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