De-Modernizing出版

Colin Foss
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引用次数: 0

摘要

在巴黎围城期间,现代出版业的官僚主义是书籍出版的最大障碍。读者们要求尽快出版有关他们目前处境的书籍、小册子和宣言。现代性跟不上。为了满足这种需求,规模较小的新贵印刷厂开始在地下室、庭院和客厅里印刷图书,避开了现代出版业固有的复杂出版流程。作家权益倡导组织“文学社会组织”发现自己正与出版商、印刷商、编辑、代理商和作者组成的网络作斗争,正是这些网络使出版业如此有利可图。虽然该组织在围攻期间确实在巴黎举办了文学活动,但它也威胁要起诉那些发表未注明出处的诗歌或其他文学文本的报纸,并在几乎没有法律手段的情况下为作者的权利而战。《围攻》打破了使文学成为一门好生意的网络,有效地将这个行业倒退了100年。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
De-Modernizing Publishing
The bureaucracy of modern publishing presented the biggest obstacles to the publication of books during the Siege of Paris. Readers demanded books, pamphlets, and manifestos about their present situation as quickly as possible. Modernity couldn’t keep up. To satisfy this demand, smaller, upstart printers began producing books in basements, courtyards, and living rooms, side-stepping the complicated publishing practices inherent to the modern publishing industry. The Société des gens de lettres, an author-advocacy group, found itself struggling against the very networks of publishers, printers, editors, agents and authors that made publishing so profitable. While the organization did offer literary events in Paris during the Siege, it also threatened to sue newspapers that published unattributed poetry or other literary texts and fought for author’s rights at a moment when there was little to no recourse for such legal action. Disrupting the very networks that made literature such good business, the Siege effectively threw the industry back a hundred years.
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