那喀索斯

S. Lee
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引用次数: 0

摘要

那喀索斯是希腊神话中的一个猎人,他爱上了自己在水中的倒影。水仙是自恋这个词的起源。这件艺术品,顾名思义,是基于那喀索斯的神话。自恋的自我掩盖了个人的弱点,只把精力集中在自己身上。每个人都有自恋,哪怕是一点点。过度的自恋会导致很多问题,因为被自己的完美所吸引,使与他人的关系变得封闭。感知到欣赏者的脑电波,会产生一种相互作用,即越集中于水面上的反射,观察就越模糊。通过这种互动,观众被打断,不再沉浸在自己的内心深处。这种经历反映了水仙故事的反面,并表达了参与者的镜像不能作为完整的主体存在。此外,这幅作品被认为是雅克·拉康(Jacques Lacan, 1901- 1981)假设的“镜子阶段”。与自我心理学家主张我们应该加强自我不同,雅克·拉康指出了自恋的自我,这是人类想象中的自我,并说我们可以通过承认我们缺乏自我而不仅仅是加强自我来成长为一个健康的主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narcissus
Narcissus was a hunter in Greek mythology who fell in love with his own reflection in the water. Narcissus is the origin of the term narcissism. This artwork, as its name suggests, is based on the myth of Narcissus. A narcissistic ego that conceals the weakness of the individual, focuses energy only on itself. Everyone has narcissism even if a little. Excessive narcissism causes lots of problems from isolation because fascinating by the perfection of oneself makes relationship with the others closed. Sensing the brainwave of an appreciator, creates an interaction that the higher concentration on the reflection on the surface of water, the more blurred observation. Through this interaction, the viewer is interrupted from being deeply immersed in oneself. That experience reflects the reverse of the Narcissus story and expresses that mirrored image of the participant could not exist as complete subject. Also, this artwork is referred to the 'Mirror stage' hypothesized by Jacques Lacan(1901--1981). Unlike the ego-psychologists' assertion that we should strengthen our ego, Jacques Lacan points out the narcissistic ego which is imaginary in human beings and says that we can grow up as a healthy subject through acknowledging that we are lacking ego not just strengthening the ego.
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