{"title":"风扇企业作为一种替代经济","authors":"Oliver Carter","doi":"10.2307/j.ctv9zckq8.6","DOIUrl":null,"url":null,"abstract":"In this introduction, I suggest the need for a reconceptualisation of fandom. I argue that fandom and cult media studies are the product of ‘fancademia’: the blurring of boundaries between fan and academic. For me this has affected how the f ield of fandom has been conceptualised, being dominated with work that celebrates fandom and privileges the practices of fans as a symbolic activity rather than an economic activity. Through exploring the field of fan studies, I consider how this discourse has limited the development of the field.","PeriodicalId":267217,"journal":{"name":"Making European Cult Cinema","volume":"2000 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fan Enterprise as an Alternative Economy\",\"authors\":\"Oliver Carter\",\"doi\":\"10.2307/j.ctv9zckq8.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this introduction, I suggest the need for a reconceptualisation of fandom. I argue that fandom and cult media studies are the product of ‘fancademia’: the blurring of boundaries between fan and academic. For me this has affected how the f ield of fandom has been conceptualised, being dominated with work that celebrates fandom and privileges the practices of fans as a symbolic activity rather than an economic activity. Through exploring the field of fan studies, I consider how this discourse has limited the development of the field.\",\"PeriodicalId\":267217,\"journal\":{\"name\":\"Making European Cult Cinema\",\"volume\":\"2000 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Making European Cult Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv9zckq8.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Making European Cult Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv9zckq8.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this introduction, I suggest the need for a reconceptualisation of fandom. I argue that fandom and cult media studies are the product of ‘fancademia’: the blurring of boundaries between fan and academic. For me this has affected how the f ield of fandom has been conceptualised, being dominated with work that celebrates fandom and privileges the practices of fans as a symbolic activity rather than an economic activity. Through exploring the field of fan studies, I consider how this discourse has limited the development of the field.
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