马来西亚热巴布和Makyung音乐传统的音色和调音的计算分析

Anis Haron, Wong Chee Onn, S. Hew
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引用次数: 0

摘要

一种乐器的音色和用于该乐器的调音系统之间的关系是明确的,并且对于仅调至音程比率的乐器来说,例如西塔琴和印度音乐调音系统。本研究旨在通过计算检验马来西亚传统弦乐器rebab的音色与Makyung(也被拼写为Makyong或Mak Yong)表演中使用的调音系统之间是否存在任何关系,Makyung是马来西亚的一种传统音乐舞蹈戏剧形式,于2005年被联合国教科文组织宣布为“人类口头和非物质遗产杰作”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Computational Analysis of Timbre and Tuning for the Rebab and Makyung Music Traditions of Malaysia
Relation between the timbre of an instrument and tuning system used for said instrument are clear and expected with instruments tuned to just interval ratios such as the case with the sitar and the Indian music tuning systems. This study looks to computationally examine if any relation exists between the timbre of the rebab, a Malaysian traditional stringed instrument and the tuning system used in Makyung (also spelled as Makyong or Mak Yong) performances, a form of traditional musical dance-drama from Malaysia that was proclaimed a “Masterpiece of the Oral and Intangible Heritage of Humanity” by UNESCO in 2005.
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