{"title":"时光倒流","authors":"Andy Propst","doi":"10.1093/OSO/9780190630935.003.0007","DOIUrl":null,"url":null,"abstract":"Betty Comden and Adolph Green received a summons in May 1949 to California from MGM producer Arthur Freed about a movie he needed them to start writing immediately. The project, which would become Singin’ in the Rain, would contain a host of the songs he had written with Nacio Herb Brown. They balked at the assignment, believing their contract did not require them to pen movies that used songs by other writers (except for a handful, such as Richard Rodgers or Cole Porter). Their agreement with the studio contained no such clause, and so they developed the now iconic scenario about the transition from silent movies to talkies and early movie musicals. After they finished this assignment they returned to New York to write sketches and lyrics for the revue Two on the Aisle, which starred Bert Lahr and Dolores Gray.","PeriodicalId":446150,"journal":{"name":"They Made Us Happy","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Turning Back the Clock\",\"authors\":\"Andy Propst\",\"doi\":\"10.1093/OSO/9780190630935.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Betty Comden and Adolph Green received a summons in May 1949 to California from MGM producer Arthur Freed about a movie he needed them to start writing immediately. The project, which would become Singin’ in the Rain, would contain a host of the songs he had written with Nacio Herb Brown. They balked at the assignment, believing their contract did not require them to pen movies that used songs by other writers (except for a handful, such as Richard Rodgers or Cole Porter). Their agreement with the studio contained no such clause, and so they developed the now iconic scenario about the transition from silent movies to talkies and early movie musicals. After they finished this assignment they returned to New York to write sketches and lyrics for the revue Two on the Aisle, which starred Bert Lahr and Dolores Gray.\",\"PeriodicalId\":446150,\"journal\":{\"name\":\"They Made Us Happy\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"They Made Us Happy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780190630935.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"They Made Us Happy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190630935.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
1949年5月,贝蒂·科登和阿道夫·格林接到米高梅制片人亚瑟·弗里德的传票,要求他们立即开始写一部电影。这个项目后来成为《雨中曲》,包含了他和纳西奥·赫伯·布朗(Nacio Herb Brown)共同创作的许多歌曲。他们拒绝了这项任务,认为他们的合同并不要求他们创作使用其他作家歌曲的电影(除了理查德·罗杰斯(Richard Rodgers)或科尔·波特(Cole Porter)等少数人)。他们与电影公司的协议中没有这样的条款,所以他们制定了现在标志性的从无声电影到有声电影和早期电影音乐剧的过渡方案。完成这项任务后,他们回到纽约,为伯特·拉尔和多洛雷斯·格雷主演的讽刺剧《走道上的两人》写小品和歌词。
Betty Comden and Adolph Green received a summons in May 1949 to California from MGM producer Arthur Freed about a movie he needed them to start writing immediately. The project, which would become Singin’ in the Rain, would contain a host of the songs he had written with Nacio Herb Brown. They balked at the assignment, believing their contract did not require them to pen movies that used songs by other writers (except for a handful, such as Richard Rodgers or Cole Porter). Their agreement with the studio contained no such clause, and so they developed the now iconic scenario about the transition from silent movies to talkies and early movie musicals. After they finished this assignment they returned to New York to write sketches and lyrics for the revue Two on the Aisle, which starred Bert Lahr and Dolores Gray.