{"title":"安迪·布雷克;或者，爱尔兰钻石","authors":"Sarah Meer, Nathaniel Zetter","doi":"10.1177/17483727221128818","DOIUrl":null,"url":null,"abstract":"This scholarly edition of Andy Blake includes an introduction arguing for its claim to be Dion Boucicault’s first Irish drama. It also emphasises Agnes Robertson’s part in developing Boucicault’s comic heroes, while playing a boy. Consideration of the French source text reveals a connection with a revolutionary figure, the gamin de Paris, and demonstrates how Boucicault’s adaptation added a backdrop of British military imperialism.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Andy Blake; or, the Irish Diamond\",\"authors\":\"Sarah Meer, Nathaniel Zetter\",\"doi\":\"10.1177/17483727221128818\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This scholarly edition of Andy Blake includes an introduction arguing for its claim to be Dion Boucicault’s first Irish drama. It also emphasises Agnes Robertson’s part in developing Boucicault’s comic heroes, while playing a boy. Consideration of the French source text reveals a connection with a revolutionary figure, the gamin de Paris, and demonstrates how Boucicault’s adaptation added a backdrop of British military imperialism.\",\"PeriodicalId\":286523,\"journal\":{\"name\":\"Nineteenth Century Theatre and Film\",\"volume\":\"36 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth Century Theatre and Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17483727221128818\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth Century Theatre and Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17483727221128818","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This scholarly edition of Andy Blake includes an introduction arguing for its claim to be Dion Boucicault’s first Irish drama. It also emphasises Agnes Robertson’s part in developing Boucicault’s comic heroes, while playing a boy. Consideration of the French source text reveals a connection with a revolutionary figure, the gamin de Paris, and demonstrates how Boucicault’s adaptation added a backdrop of British military imperialism.
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