{"title":"生活的信念","authors":"M. Makihara, J. L. Rodríguez","doi":"10.1075/lcs.21013.mak","DOIUrl":null,"url":null,"abstract":"\n Rapa Nui (Easter Island, Chile) poetry allows us to understand how lived beliefs can be central to the realization\n of the individual self in community. In this paper, we focus on the poetry of Mata-U’iroa Atan, a Rapa Nui poet who characterizes\n his political project as walking to fly like a bird. His poem Ki Te Reva (‘To the Flag’) exemplifies a particular\n form of corporeal consciousness leading to a project of political persuasion. His poems are written in Rapa Nui, an indigenous\n Polynesian language and draw attention to sociolinguistic and historical “disjunctures” (Meek,\n 2010) in contemporary Rapa Nui community life. We argue that lived beliefs are produced by corporeal consciousness, and\n verbal art can be central to the mobilization of lived beliefs in the process of persuasion for emancipatory praxis. Poetry can\n give people an imagination, and this imagination is constitutive of a kind of truth underlying political projects.","PeriodicalId":252896,"journal":{"name":"Language, Culture and Society","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lived beliefs\",\"authors\":\"M. Makihara, J. L. Rodríguez\",\"doi\":\"10.1075/lcs.21013.mak\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Rapa Nui (Easter Island, Chile) poetry allows us to understand how lived beliefs can be central to the realization\\n of the individual self in community. In this paper, we focus on the poetry of Mata-U’iroa Atan, a Rapa Nui poet who characterizes\\n his political project as walking to fly like a bird. His poem Ki Te Reva (‘To the Flag’) exemplifies a particular\\n form of corporeal consciousness leading to a project of political persuasion. His poems are written in Rapa Nui, an indigenous\\n Polynesian language and draw attention to sociolinguistic and historical “disjunctures” (Meek,\\n 2010) in contemporary Rapa Nui community life. We argue that lived beliefs are produced by corporeal consciousness, and\\n verbal art can be central to the mobilization of lived beliefs in the process of persuasion for emancipatory praxis. Poetry can\\n give people an imagination, and this imagination is constitutive of a kind of truth underlying political projects.\",\"PeriodicalId\":252896,\"journal\":{\"name\":\"Language, Culture and Society\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Language, Culture and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1075/lcs.21013.mak\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language, Culture and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/lcs.21013.mak","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
拉帕努伊岛(智利复活节岛)的诗歌让我们明白,鲜活的信仰是如何在社区中成为实现个人自我的核心。在本文中,我们将重点放在拉帕努伊诗人Mata-U 'iroa Atan的诗歌上,他将自己的政治计划描述为像鸟一样走路飞翔。他的诗Ki Te Reva(“致国旗”)体现了一种特殊形式的身体意识,导致了政治说服的项目。他的诗歌以波利尼西亚土著语言拉帕努伊语(Rapa Nui)创作,并引起人们对当代拉帕努伊社区生活中社会语言学和历史“脱节”(Meek, 2010)的关注。我们认为,活生生的信念是由身体意识产生的,在解放实践的说服过程中,语言艺术可以成为动员活生生的信念的核心。诗歌可以给人一种想象,这种想象构成了一种隐藏在政治计划之下的真理。
Rapa Nui (Easter Island, Chile) poetry allows us to understand how lived beliefs can be central to the realization
of the individual self in community. In this paper, we focus on the poetry of Mata-U’iroa Atan, a Rapa Nui poet who characterizes
his political project as walking to fly like a bird. His poem Ki Te Reva (‘To the Flag’) exemplifies a particular
form of corporeal consciousness leading to a project of political persuasion. His poems are written in Rapa Nui, an indigenous
Polynesian language and draw attention to sociolinguistic and historical “disjunctures” (Meek,
2010) in contemporary Rapa Nui community life. We argue that lived beliefs are produced by corporeal consciousness, and
verbal art can be central to the mobilization of lived beliefs in the process of persuasion for emancipatory praxis. Poetry can
give people an imagination, and this imagination is constitutive of a kind of truth underlying political projects.