伦茨1900。我爱你。佛罗伦萨在乌托邦和现实之间的形象,德国知识分子和艺术家在锡耶纳

Benedetta Bronzini
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引用次数: 0

摘要

本文的目的是在德国艺术家和知识分子的视角下,分析佛罗伦萨在20世纪初的多重身份,他们选择了文艺复兴时期“可到达的阿卡迪亚”作为他们的家园。阿比·沃伯格的佛罗伦萨日记,他是弗洛伦兹1900年的主角。瑞士历史学家贝恩德•罗克(Bernd Roeck, 2001)所著的《如此的Arkadien》(Die Suche nach Arkadien)为我们提供了分析指南。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Florenz 1900. Die Suche nach Arkadien . L’immagine di Firenze, tra utopia e reale, degli intellettuali e artisti tedeschi fin de siècle
The aim of this article is to analyse the multifaceted identity of the city of Florence at the beginning of the 20th Century, under the perspective of the German artists and intellectuals, who chose the “reachable Arcadia” of the Renaissance as their home. The Florentine diaries of Aby Warburg, who is the protagonist of Florenz 1900. Die Suche nach Arkadien , written by the Swiss historian Bernd Roeck (2001), guide us through the analysis.
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