Eliza Kącka
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引用次数: 0

摘要

作者考虑了两位受人尊敬的文学评论家Kazimierz Wyka和Stefan Napierski在月刊《Ateneum》(1939年第2期)上发表批评布鲁诺舒尔茨的文章的情况。众所周知,舒尔茨的散文作品难懂,但其优点是毋庸置疑的。这位作家的崇高地位似乎是无可争辩的,但维卡和纳皮尔斯基仍然有意识地试图摧毁舒尔茨的遗产。在这篇文章中,他们对舒尔茨的批评并不是一个孤立的攻击,而是一个解释误解的典型案例,这与其说是缺乏理解的结果,不如说是批评者有计划的行动和恶意的结果。怀卡和纳皮尔斯基并不想理解,而且由于他们不喜欢舒尔茨写的那种散文,他们制定了一种特定类型的阅读和批评方法,这种方法有许多追随者和坚定的接受度。然而,与此同时,他们对舒尔茨的否定被证明是有积极价值的——不是对批评史,而是对舒尔茨研究本身。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Czy należy spalić Schulza? Likwidatorzy: Wyka i Napierski
The author considers the circumstances in which Kazimierz Wyka and Stefan Napierski, two respected literary critics, published texts which criticized Bruno Schulz in the monthly magazine Ateneum (1939, no. 1). Schulz’s prose works were already widely known to be difficult, but there was no doubt as to their merit. The writer’s high position seemed indisputable, and yet Wyka and Napierski still consciously tried to destroy Schulz’s legacy. Their critical attack on Schulz is interpreted in the essay not as an isolated exploit, but as a model case of interpretational misunderstanding, which is not so much the effect of a lack of understanding, but of planned action and ill will of the critics. Wyka and Napierski did not want to understand, and with their dislike of the type of prose that Schulz wrote they programmed a certain type of reading and critical approach, which had many followers and determined reception. At the same time, however, their dismissal of Schulz turned out to have a positive value ‒ not for the history of criticism, but for Schulz studies as such.
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