S. Warberg
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引用次数: 1

摘要

奥罗格·尼尔森(Olaug Nilssen)的《童谣》(2017)是一部关于以母亲和照顾者的角色与残疾和不善言辞的孩子交谈并为他们说话的小说。叙述者奥劳格讲述了她儿子丹尼尔(Daniel)渐退性自闭症的故事,以及她试图在他与外界,特别是卫生人员和其他专业护理人员之间进行调解时遇到的挑战。叙述者直接指向丹尼尔本人,称他为“你”。因为但以理不能使用口头语言和回答,地址类似于撇号的形状。它产生的交流电路是三角的,包括发送信息的“我”,无法回应的“你”,以及有意偷听的第三方——在这种情况下是文本的隐含或历史读者。本文从小说如何将看护作为一种见证的行为进行主题化的角度来探讨这一称谓的功能。我认为,通过建立由交际情境本身构成的美学和修辞事件,撇号地址产生了小说叙事的另一种选择。因此,这篇演讲提供了一种正式的方式来处理与奥劳格作为照顾者和叙述者的角色相关的伦理和存在维度,在这篇文章中,奥劳格既为儿子说话,也为儿子说话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Apostrofere den levende
Olaug Nilssen’s Tung tids tale (2017) is a novel about speaking to and for the disabled and disarticulate child in the role as mother and caregiver. Olaug, the narrator, tells the story of her son Daniel’s regressive autism and of the challenges she meets as she tries to mediate between him and the outside world, in particular health personnel and other professional caregivers. The narration is directed towards Daniel himself, addressed as ”you”. Because Daniel is unable to use verbal language and reply, the address resembles the figure of the apostrophe. The communication circuit it generates is triangulated, involving both the ”I” that sends the message, the unresponsive ”you” who is unable to respond to it, and a third party intended to overhear it – in this case the implicit or historical readers of the text. In the article the functions of this address is explored in the light of how the novel thematizes caregiving as an act of witnessing. I argue that the apostrophic address produces an alternative to the novel’s narrative through the establishment of an aesthetic and rhetorical event constituted by the communicative situation itself. The address thus provides a formal way of handling the ethical and existential dimensions connected to Olaug’s role as caregiver and narrator in a text that speaks both for and to her son.
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