躯体审美欣赏设计

K. Höök, Martin Jonsson, A. Ståhl, J. Mercurio
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引用次数: 229

摘要

基于三种不同的询问,我们提出了一个强有力的概念,我们称之为Somaesthetic Appreciation。首先,我们自己的自传式设计调查,在我们的设计过程中使用Feldenkrais作为资源,带来了Soma地毯和呼吸灯的应用。第二,通过引入其他人来体验我们的系统,参与并定性分析他们对我们应用程序的体验。在我们的第三个调查中,我们试图通过比较和分析其他人的设计调查,并将其建立在躯体美学理论的基础上,来确定躯体美学鉴赏设计的特征和特点。我们建议躯体美学鉴赏设计分享一种微妙的方式,他们如何鼓励和刺激身体对互动方式的选择,他们需要一个亲密的对应——反馈和互动,遵循身体的节奏,他们需要一种独特的方式来制造空间,将外部世界拒之门外——隐喻和字面上——让用户把注意力转向内部。他们依靠身体体验的清晰表达来鼓励学习和增强身体意识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Somaesthetic Appreciation Design
We propose a strong concept we name Somaesthetic Appreciation based on three different enquiries. First, our own autobiographical design enquiry, using Feldenkrais as a resource in our design process, bringing out the Soma Carpet and Breathing Light applications. Second, through bringing in others to experience our systems, engaging with and qualitatively analysing their experiences of our applications. In our third enquiry, we try to pin down what characterises and sets Somaesthetic Appreciation designs apart through comparing with and analysing others' design inquiries as well as grounding them in the somaesthetic theories. We propose that the Somaesthetic Appreciation designs share a subtleness in how they encourage and spur bodily inquiry in their choice of interaction modalities, they require an intimate correspondence -- feedback and interactions that follow the rhythm of the body, they entail a distinct manner of making space shutting out the outside world -- metaphorically and literally -- to allow users to turn their attention inwards, and they rely on articulation of bodily experiences to encourage learning and increased somatic awareness.
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