短篇小说《克拉耶维奇·马尔科》在塞尔维亚语教学环境中的阐释可能性

Nevena Lukinić
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摘要

摘要:本文考察了拉多耶·多马诺维奇的短篇小说《塞尔维亚人的第二次克拉耶维奇·马尔科》在教学过程中的解释可能性。由于上述作品未包含在当前教学计划的内容中,本文的目的是提供一个方法论模板,以表明该短篇小说的独特关联力量及其有用价值,从而利用该文学作品的教学潜力。本文的研究由此置于教学领域的研究中,将多马诺维奇短篇小说解读的基本理论方法论起点置于文学教学方法论领域内。考虑到学生的年龄和他们的成就,马尔科·克拉耶维奇的性格作为教学分析的中心综合因素脱颖而出,这与他的口头文学模板有关。用比较的方法观察主人公塑造过程的异同,同时揭示多马诺维奇讽刺作品艺术世界的独特性。因此,短篇小说《克拉耶维奇·马尔科第二次在塞尔维亚人之间》的关联力主要是在塞尔维亚语言文学学科内部纵向实现的,而在评论层面则提出了不同学科内容之间功能联系的其他可能性。最后,该作品还揭示了读者接受现象的问题,努力确定拉多耶·多马诺维奇的讽刺是否以及在多大程度上鼓励了现代学生的笑声。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interpretive possibilities of the short story "Kraljević Marko for the second times among Serbsˮ by Radoje Domanović in teaching circumstances
Summary: The paper examines the interpretative possibilities of the short story "Kraljević Marko for the second time among the Serbsˮ by Radoje Domanović in teaching process. Since the mentioned work is not included in the contents of the current teaching programs, the intention of this paper is to offer a methodological template that would indicate the distinct correlative power of this short story and its useful value, and thus use the teaching potential of this literary work. The research is thereby placed in the teaching field of study, the basic theoretical-methodological starting point in the interpretation of Domanović's short story will be within the field of literature teaching methodology. Taking into account the age of the pupils and their achievements, the character of Marko Kraljević stands out as the central integrative factor of the teaching analysis, which is viewed in relation to his template from oral literature. Similarities and differences in the hero's characterization procedures are observed with a comparative approach, while the peculiarity of the artistic world of Domanović's satire is revealed at the same time. The correlative power of the short story "Kraljević Marko for the second time among the Serbsˮ is thus primarily realized vertically, within the subject Serbian language and literature, while, other possibilities of functional connection of the contents of different subjects are proposed at the review level. Finally, the work also opens up the issue of the phenomenon of readers' reception with an effort to determine whether and to what extent Radoje Domanović's satire encourages laughter among pupils of the modern age.
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