内部/外部:艾略特、视角和现代主义时刻

Jewel Spears Brooker
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引用次数: 0

摘要

“诗人如何被局限在当代历史的废墟中,获得理解它所需的视角?”感知在时间中发生;透视需要超越时间和地点的视角。艾略特的立场是,艺术需要一种二元视角,这在他的散文中得到了讨论,在《老年》(Gerontion)和《荒原》(The Waste Land)中得到了阐述。要忠于当下,诗人需要历史的视角;为了理解它,他需要一个超越它的视角。在《老年》中,艾略特借鉴了f·h·布拉德利(F.H. Bradley)的哲学,为理解他所处的时代提供了一个平台;在《荒原》中,他借鉴了J.G.弗雷泽和杰西·韦斯顿的作品,创造了一个永恒的参考点。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Inside/Outside: Eliot, Perspective, and the Modernist Moment
"How can the poet, confined to the ruins of contemporary history, gain the perspective required to understand it? Perception occurs in time; perspective requires a view that transcends time and place. Eliot’s position, discussed in his prose and illustrated in “Gerontion” and The Waste Land, was that art requires a binary perspective. To be true to the moment, the poet needs a perspective within history; to understand it, he needs a perspective that transcends it. In “Gerontion,” Eliot draws on the philosophy of F.H. Bradley to generate a platform from which to understand his moment; in The Waste Land, he draws on the work of J.G. Frazer and Jessie Weston to create a timeless reference point."
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