耶利米书和哀歌

E. Davis
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引用次数: 0

摘要

耶利米和哀歌中耶利米般的声音提供了耶路撒冷衰落和衰落的直接,内部的观点。耶利米的哀号给了先知的权威,使痛苦的哀号成为祷告的模式。《哀歌》的高度结构化的诗歌属于古老的近东城市哀歌流派,这种跨文化传统在马哈茂德·达尔维什20世纪的诗歌《沉默的加沙》中得以延续。《哀歌》的离诗诗,构成了《圣经》中最冗长,最强烈的悲痛和震惊的表达,迫使读者思考神正论,即上帝的正义。这首希伯来诗的几个文学特征也可能有助于恢复希望的工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jeremiah and Lamentations
Jeremiah and the Jeremiah-like voice in Lamentations provide immediate, insider views of Jerusalem’s decline and fall. Jeremiah’s laments give prophetic authority to anguished outcry as a mode of prayer. The highly structured poems of Lamentations belong to the ancient Near Eastern genre of lament for a city—a transcultural tradition that continues in Mahmoud Darwish’s twentieth-century poem “Silence for Gaza.” The acrostic poems of Lamentations, which constitute the most prolonged, intense expression of grief and shock in the Bible, force readers to reckon with the question of theodicy, God’s justice. Several literary features of this Hebrew poetry may also contribute to the work of reclaiming hope.
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