C. Romero
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引用次数: 6

摘要

本文考察了阿多诺围绕€œcultural工业€一词所阐述的一些观点,主要整理了1970年出版的著作《€œAesthetic理论》中发表的观点。术语 - œcultural工业 -在文章中也与阿多诺自1947年以来所揭露的反思相关联。关于艺术与自主性的关系,阿多诺的思想为理解当代艺术生产提供了要素。在北美理论家和艺术家玛莎·罗斯勒的建议下,建立了一个对话,以了解阿多诺之前,期间和之后艺术的时间顺序发展。最后,作者还讨论了当代新媒体艺术表现形式,并结合巴西理论家Arlindo Machado的建议,通过自主性/文化产业来分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New Media Art and a Contemporary Revision of the Term 'Cultural Industry' of Theodor Adorno
This article examines some of the ideas that Theodor Adorno elucidated around the term “cultural industry†, compiling mainly the ideas published in the text “Aesthetic Theory†of 1970. The term “cultural industry†is also contextualized in the article with the reflections that Adorno previously exposed since 1947. Concerning the relation between art and autonomy the ideas of Adorno offer elements to understand contemporary art production. A dialog is created with the proposal of the North American theoretician and artist Martha Rosler to understand the chronological development of art before, during, and after Adorno. To conclude, the author also discusses contemporary new media art manifestations, which are analyzed through autonomy/cultural industry in relation to the proposals of the Brazilian theoretician Arlindo Machado.
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