“恐惧的政治”:分析纳博科夫的《符号与符号》(1958)和内娜的《99个红气球》(1985)所反映的纳粹德国和冷战时期美国分裂性政治宣传的影响

Naduni Dinesha Thebuwana
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摘要

纳博科夫的《符号与符号》(1958)是一部短篇小说,1948年首次在《纽约客》上发表时让读者感到困惑,至今对许多读者来说仍是一个谜。紧凑的风格,缺乏情节和背景故事,以及主人公神秘的精神障碍在很大程度上构成了这个谜团,并使短篇小说成为一个有多种解释的书面文本。虽然在过去的七十年里,人们从不同的角度解读了这部电影,但它与纳粹德国和冷战时期美国的“恐惧政治”的关系却没有受到批判性的审视。“恐惧政治”是Wodak(2015)提出的一种理论,用于概念化右翼政治话语和战略。本文使用这一理论作为批判的视角来分析主人公的精神障碍,“参照狂躁”,如何反映了二战和冷战期间德国和美国民粹主义者的民族主义和分裂的右翼政治策略。它还将这种描述与“99个红气球”(1985)中的“恐惧政治”的反映进行了比较,这是一首由Nena在冷战时期的德国制作的抗议歌曲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Politics of fear’: An analysis of the effects of divisive political propaganda in Nazi Germany and Cold-War America as reflected in Nabokov’s “Signs and Symbols” (1958) and Nena’s “99 Red Balloons” (1985)
Nabokov’s “Signs and Symbols” (1958) is a short story that baffled its readers when it was first published in The New Yorker in 1948 and continues to be an enigma to many readers. The compact style, lack of plot and backstories, and the enigmatic mental disorder of the protagonist largely constitute this enigma, and makes the short story a writerly text open to multiple interpretations. While it has been interpreted from diverse perspectives for the past seventy years, its engagement with the ‘politics of fear’ in Nazi Germany and Cold-War America has not been subjected to critical scrutiny. ‘Politics of fear’ is a theory developed by Wodak (2015) to conceptualize right-wing political discourses and strategies. This paper uses this theory as a critical perspective to analyze how the protagonist’s mental disorder, ‘referential mania,’ reflects the nationalist and divisive right-wing political strategies of German and American populists of World War II and the Cold War. It also compares this portrayal with the reflection of ‘politics of fear’ in “99 Red Balloons” (1985), a protest song produced by Nena in Cold-War Germany.
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