Mokhrenis - Artsakh早期基督教建筑纪念碑:当地学校形成的基础

A. Kazaryan
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引用次数: 0

摘要

这篇文章揭示了历史上的Artsakh省的亚美尼亚早期基督教建筑的独特之处,该省是大亚美尼亚王国的一部分,自5世纪晚期-阿尔巴尼亚萨珊马氏王朝,以及自9 - 10世纪-亚美尼亚哈琴王国。这是一座被毁坏的Okhta Drni修道院教堂,位于纳戈尔诺-卡拉巴赫共和国哈德鲁特区Mokhrenis村附近。这项研究发展了作者先前提出的观点,即这座带有角落壁龛的四孔雀石教堂的构成是由一个带有四个额外角落摄像机的相同类型的变体简化而成的,这些摄像机可以追溯到6世纪末至7世纪初亚美尼亚中部省份的样本。这篇文章的重点是建筑的风格特点。exedras的特殊特征是圆形的外观和穹顶下的柱子,这些都与当地粗略切割石头的建造方法有关。为了在外高加索地区的中世纪建筑中找到这个教堂的位置,作者提供了一些构图上的类似物,并描述了Mokhrenis大师作品的细节。根据对石刻的分析,这些纪念碑的年代可以追溯到7世纪最后25年或8世纪初。综上所述,Artsakh有一种地方建筑创意的特点,以及Mokhrenis教堂在其中的作用
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mokhrenis — Monument of Early-Christian Architecture of Artsakh: Bases of the Formation of the Local School
The article reveals the peculiarities of a single monument of Armenian Early Christian architecture of the historical province of Artsakh, a part of the kingdom of Great Armenia, since the late fifth century — the Sassanid Marzpanate of Albania, and since the ninth–tenth centuries — of the Armenian kingdom of Khachen. This is a ruined church of the monastery of Okhta Drni, near the village of Mokhrenis (Mokhrenes), the Hadrut District of the Republic of Nagorno-Karabakh. This research develops the earlier formulated author's idea that the composition of this church of the type of tetraconch with corner niche was a result of simplification of a variant of the same type with four additional corner cameras which could be traced back to the samples of the central province of Armenia of the late sixth – early seventh centuries. Focal point of the article is at the stylistic peculiarities of architecture. Specific features of exedras – rounded in their exterior, and underdome pillars were connected with the provincial method of building of roughly cut stones. To find a place of this church in the medieval architecture of the Transcaucasian lands, the author offers some compositional analogues and describes the specifics of masters' work in Mokhrenis. The dating of the monuments to the last quarter of the seventh or early eighth century can be based on the analysis of the stone cutting of the imposts. As a conclusion, there is a characteristic of provincial architectural creativity in Artsakh, and the role of the church of Mokhrenis in that
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