猫和家蝇

Timothy S. Murphy
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引用次数: 0

摘要

约翰·哈里森(M. John Harrison)的主要小说系列《Viriconium》(1971-1985)和《Empty Space》三部曲(2002-2012)拒绝了传统幻想和科幻小说中那种近乎神学的构建世界的野心,而是提供了想象世界中不连贯的矛盾乐趣,以及避免解决或结束的叙事谜团。哈里森使用了生物哲学概念Umwelt,指的是一个特定生命形式的感知和行动世界,其他形式无法进入,作为一个概念替代单一的,简化的,逃避现实的逻辑,像《指环王》这样的邪教和神奇的古怪邪教,如山达基教。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cat and Housefly
M. John Harrison’s major fictional sequences Viriconium (1971-1985) and the Empty Space trilogy (2002-2012) refuse the quasi-theological world-building ambitions of conventional fantasy and sf, offering instead the paradoxical pleasures of imaginary worlds that fail to cohere and narrative mysteries that avoid resolution or closure. Harrison uses the biophilosophical concept of Umwelt, referring to a world of perception and action specific to a particular lifeform and inaccessible to other forms, as a conceptual alternative to the monolithic, reductive, and escapist logic shared by cult-fictions like The Lord of the Rings and fantastic crank-cults such as Scientology.
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