实时媒体时代的文化遗产:“活的化身”网络的发展

D. Kera, Connor Graham
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引用次数: 2

摘要

新加坡的文化遗产是一个有争议的区域,各种利益之间的竞争,从旅游营销活动开始,到多元文化社会的身份建设结束,在集体和个人过去的功能和定义上展开竞争。如何在一个瞬息万变的城市中保存记忆和经历?如何反思这些变化?在新加坡,如何在消失和被遗忘的过去和无所不在的未来之间进行协商?我们与五名学生组成的团队进行了一系列的设计实验和探索,以发现激发人们进行遗产散步的新方法,使当地人和非本地人都能体验新加坡及其种族和文化多样性。在我们的工作原型“Living avatar Network”中,我们评估了一个用于外包体验的实时界面的设计理念,作为一种特殊类型步行的激励,它不仅连接了过去与现在,而且还作为跨文化和代际对话的平台。新加坡是测试新兴技术与消失的传统之间这种相互作用的理想场所。在我们的项目中,我们设计了一种“实践”和重温文化遗产的新形式,在无处不在和实时技术的时代,这些技术带来了非常不同的时间性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural heritage in the age of real time media: developing the Living Avatars Network
Cultural heritage in Singapore is a contested zone in which various interests, starting with tourism marketing campaigns and ending with identity building of a multicultural society, compete over the function and the definition of the collective and personal past. How to preserve memories and experiences in a city that is changing rapidly and how to reflect upon the changes? How to negotiate between the disappearing and forgotten past and the omnipresent future in Singapore? With a team of five students we conducted a series of design experiments and probes to discover novel ways for motivating people to take a heritage walk which can engage both locals and nonlocals into experiencing Singapore and its ethnic and cultural diversity. In our working prototype “Living Avatars Network” we evaluated a design idea of a real-time interface for outsourcing experiences as an incentive for a special type of walk which connects not only the past with the present but also serves as a platform for intercultural and intergenerational dialogue. Singapore is an ideal place to test such interactions between the emerging technologies and the disappearing traditions. In our project we designed a novel form of “practicing” and reliving cultural heritage in the age of ubiquitous and real time technologies that bring very different temporalities into play.
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