{"title":"黑格尔的缩写是do mito em,巴西的缩写是do bolsonarismo","authors":"A. Kurle","doi":"10.36592/9786587424057-1","DOIUrl":null,"url":null,"abstract":"In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaic modes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solche]; (c) an evaluation of the anachronism of the ideas of myth and hero in contemporary times, through a reflection mediated by the categories of sublation [Aufhebung] and history.","PeriodicalId":307303,"journal":{"name":"A Tentação Ancestral: A questão histórico-cultural do tema da Idolatria ao longo dos séculos e sua relevância na contemporaneidade","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"O anacronismo do mito em Hegel e o Brasil do bolsonarismo\",\"authors\":\"A. Kurle\",\"doi\":\"10.36592/9786587424057-1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaic modes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solche]; (c) an evaluation of the anachronism of the ideas of myth and hero in contemporary times, through a reflection mediated by the categories of sublation [Aufhebung] and history.\",\"PeriodicalId\":307303,\"journal\":{\"name\":\"A Tentação Ancestral: A questão histórico-cultural do tema da Idolatria ao longo dos séculos e sua relevância na contemporaneidade\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A Tentação Ancestral: A questão histórico-cultural do tema da Idolatria ao longo dos séculos e sua relevância na contemporaneidade\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36592/9786587424057-1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Tentação Ancestral: A questão histórico-cultural do tema da Idolatria ao longo dos séculos e sua relevância na contemporaneidade","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36592/9786587424057-1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在本文中,我提出了黑格尔艺术哲学的一些概念,旨在解释当代巴西的一种文化政治局面,即博尔索纳主义。我按以下顺序提出这些观点:(a)理解的方式,主要是通过区分诗歌和散文的方式;(b)“行动(Handlung)”作为一种艺术类别的概念,通过其三个层面:世界状态(Weltzustand)、情境(Situation)和行动本身(Handlung als solche);(c)通过扬弃范畴和历史范畴的反思,评价神话和英雄的观念在当代的不合时宜性。
O anacronismo do mito em Hegel e o Brasil do bolsonarismo
In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaic modes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solche]; (c) an evaluation of the anachronism of the ideas of myth and hero in contemporary times, through a reflection mediated by the categories of sublation [Aufhebung] and history.