运用实用主义方法学习马来语歌曲中的爵士吉他再和声技巧

Chamil Arkhasa Nikko Mazlan
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引用次数: 0

摘要

使用马来语阿斯利歌曲开发爵士吉他再和声学习书的细节将不讨论在这里,然而,这篇文章透露了实用主义的方法,可以超越解释使用马来语阿斯利歌曲学习爵士吉他再和声技术之间的逻辑。虽然音乐是一种通用的语言,但传统音乐和西方音乐教育者并没有达成共识,即在传统音乐中扩散学习西方音乐元素,反之亦然。因此,再和声技术只在西方音乐曲目中为人所知。而传统音乐从业者用根深蒂固的教条式的借口来维护他们所谓的传统的真实价值。为了进行本研究,我们通过文献分析获取了实用主义的相关数据。结果表明,实用主义方法可以帮助音乐教育者重新定义传统音乐的教学和学习,使用爵士再和声技术来重新创造和创新爵士和声学习的新声音和背景,而不仅仅是使用爵士标准曲目,使音乐理论对传统和现代音乐教育者和学生都有益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Utilizing Pragmatism Approach in Learning Jazz Guitar Reharmonization Technique using Malay Asli Song
Details of developing jazz guitar reharmonization learning book using Malay Asli song will not discuss here, however, this article divulges pragmatism approach that can be transcending in explaining logic between learning jazz guitar reharmonization techniques using Malay Asli Song. Although music is a universal language, traditional music and western music educators do not come to an agreement diffusing learning western music elements such in traditional music or vice versa. As a result, reharmonization technique only become known on western music repertoires. While traditional music practitioners presenting the same old repertoires, with deep-rooted dogmatic excuses to maintain what they called traditional authentic values. To conduct this study, relevant data on pragmatism was done through document analysis. The result show pragmatism approach can help music educators to reconceptualize teaching and learning traditional music using jazz reharmonization technique to recreate and innovate a new sound and contextual of learning jazz harmony, not just using on jazz standards repertoires, in making music theory beneficial to both traditional and modern music educators and students.
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