理解新的模拟摄影:意义、方法和美学

New Explorations Pub Date : 2023-03-16 DOI:10.7202/1097584ar
Laís Akemi Margadona
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引用次数: 0

摘要

本文探讨了过时的摄影技术在一种我们称之为“新模拟摄影”的新形式下的抵抗和复兴。这种类型的图像重新定义了Ansel Adams (2019a, 2019b, 2018)在三个关键领域的旧模拟实践:1。意义,2。2 .方法论;美学。它是适应后摄影时代互联媒体生态系统的颗粒图像。千禧一代和Z世代对这种摄影类型的发展做出了贡献,并进行了讨论。最后,阐述了新型模拟摄影的十诫,总结了其在十个主题上的实践和意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Understanding the New Analogue Photography: Meanings, Methodologies and Aesthetics
This paper examines the resistance and revival of outmoded photographic technologies, in a new format we call “new analogue photography”. This type of image resignifies old analogue practices as stated by Ansel Adams (2019a, 2019b, 2018) in three key areas: 1. meaning, 2. methodology, and 3. aesthetics. It is the grain image adapted to the connected media ecosystem in post-photographic times. The contribution of millennials and gen Z to the growth of this type of photography is presented and discussed. At the conclusion, the decalogue of the new analogue photography is stated, summing up its practice and significance across ten topics.
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