动乱时期:维奥莱特·费恩《淑女境界》中的政治不和谐与颠覆

Ceylan Kosker
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引用次数: 0

摘要

在这篇文章中,Ceylan Kosker探讨了玛丽·蒙哥马利·柯里夫人(1843-1905)是如何利用她在夫人领域的诗歌出版物《论马尔莫拉》(1896)和《一个被遗弃的村庄》(1897)来解决发生在1894-96年奥斯曼帝国的哈米德大屠杀的。作为一个贵族和英国大使的妻子,柯里在处理政治话题时必须小心谨慎。因此,她不仅使用了Violet Fane这个笔名,而且还在女性杂志上发表了她的政治诗歌,而不是在男女混合的月刊或季刊上发表。她采用了许多策略,旨在暗示她的主题的话题性,但她也通过美化暴力图像(与附带的插图相结合)和强调自己的公众身份来模糊她的政治目标。因此,在女士的领域发表政治诗歌“使她能够表达她目睹亚美尼亚暴行所遭受的难以忘怀的创伤,而不会损害她作为文学名人的声誉”(第526页)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Time of Disturbance: Political Dissonance and Subversion in Violet Fane’s Contributions to the Lady’s Realm
In this essay, Ceylan Kosker explores how Lady Mary Montgomerie Currie (1843‒1905) used her poetry publications in the Lady’s Realm, ‘On the Marmora’ (1896) and ‘A Deserted Village’ (1897), to address the Hamidian Massacres, which took place in the Ottoman Empire, 1894‒96. As an aristocrat and wife of a British ambassador, Currie had to be careful in her treatment of political subject matter. Thus, she not only adopted a pseudonym, Violet Fane, but also published her political poems in a women’s magazine rather than in a mixed-gender monthly or quarterly magazine. She employed a number of strategies that aimed to hint at the topicality of her subject matter, yet she also obscured her political aims by aestheticising images of violence (in tandem with accompanying illustrations) and by emphasising her own public identity. Publishing political poetry in the Lady’s Realm thus ‘allowed her to express the haunting quality of the trauma she suffered from witnessing the Armenian atrocities without damaging her reputation as a literary celebrity’ (p. 526).
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