21世纪美国小说中的自我认同问题

Hanna Rykova
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摘要

本文主要探讨了两位美国作家大卫·埃伯格霍夫的《丹麦女孩》(2000)和杰弗里·尤金尼德斯的《米德尔塞克斯》(2002)小说中的自我认同寻找问题。身份转换作为我们研究的主要范畴之一,使得身份转换的过程以及空间旅行和性别模糊对其的影响更加生动。本文顺理成章地延续了先前对美国小说中自我认同问题的研究。身份认同过程是历代社会文化生活的一个显著特征,对民族和家庭的身份认同仍然至关重要。因此,另一个问题出现了,那就是性别和性别类别之间的差异,以及在你的家庭和特定地点/社区中自我欣赏的问题。段义孚从经验的视角出发的空间与场所理论,为分析小说中的身体与空间关系提供了途径,为从空间与身体问题过渡到身体与性别场域创造了顺畅的背景。巴特勒(J. Butler)的性别理论与厄巴赫(H. Urbach)的性别与空间秩序理论为详细研究各种躯体密码的功能和相互作用提供了基础。分析显示了所谓的识别链在躯体和空间领域的波动方式,以及这些领域相互作用的方式。因此,主人公Einar Wegener和Cal Stephanidis的性别角色和身份发生了如此大的变化,以至于他们都明白自己被困在了自己的身体里。重要的是,身份波动的过程获得了动态和连续的特征,不断地重新定义性别身份边界。在文本中形成一个完整的(艺术或家庭、民族、文化)空间,促进了性别认同的转变,并为更好的身份表现提供了额外的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Self-identification issue in American fiction of 2000s
The article focuses on the issue of self-identity search in the novels of two American authors such as David Ebersghoff with his “The Danish Girl” (2000) and Jeoffrey Eugenides with his “Middlesex” (2002). Identity transformation being one of the main categories of our research makes the process of identity shift together with the influence of space travels and gender blurring on it more vivid. This article logically continues a previously started research of the self-identity issue in American fiction. The identity process is a remarkable trait of social and cultural life of all the times and is still crucial for national and family identification. As a consequence another problem arises that is differentiation between the categories of gender and sex as well as the issue of self appreciation within your family and certain location / community. Yi-Fu Tuan’s space and place theory from the perspective of experience facilitates the approach to the analysis of body and space relationnship in the novels and creates a smooth background for transition from space and body issues into body and gender field. J. Butler’s gender theory together with H. Urbach’s theory of gender and space order serve the basis for the detailed investigation of various somatic codes’ functioning and interaction. The analysis has shown the way the so-called identificational chain fluctuates both in the somatic and spacial spheres and the way these spheres interact. As a result the main protagonists Einar Wegener and Cal Stephanidis’ gender roles together with the identity change to such an extent that they both come to understanding of being trapped in their body. And it’s important to say that the process of the identity fluctuation obtains dynamic and continuous character that constantly redefines gender identity borders. The formation of an integral (artistic or familial, national, cultural) space within the text facilitates the gender identity’s transition and provides additional instruments for a better identity performance.
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