《古兰经》中的“塔汉尼”

Tuğba Savran, Ahmet Hakkı Turabi
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引用次数: 0

摘要

在这项研究中,在“taghanni”概念的框架内,根据历史数据、词汇信息和技术发现,研究了古兰经背诵中音乐元素的使用。“taghanni”(以优美的声音诵读)的概念在圣训中被表达为诵读《古兰经》不可或缺的元素,“不以taghanni诵读《古兰经》的人不是我们的人”,“安拉从不听任何东西,因为他听先知用优美的声音大声诵读《古兰经》”,“伟大而崇高的安拉,当他听到先知诵读《古兰经》时,他从不听任何东西,这是先知关于诵读《古兰经》最重要的圣训。在这些圣训的框架内,在诵读《古兰经》(taghanni)中使用音乐将是《古兰经》与人类相遇、接近并最终融合的一个非常正确的步骤。分析了《古兰经》中“塔格汉尼”的概念,对“塔格汉尼”概念的相同与矛盾的含义和解释,以及它的法理意义。在海盗声音分析程序的帮助下,通过背诵Âl-i İmran苏拉190-194的诗句来揭示古兰经中taghanni的存在。在同一诗句样本中,呈现了古兰经内在音乐的核心信息。我们的研究对于以音乐的方式诵读《古兰经》具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Taghanni” in Qur’ân Recitation
In this study, the use of musical elements in the recitations of the Qur'an is examined within the framework of the concept “taghanni” in the light of historical data, lexical information, and technical findings. The concept of “taghanni” (reciting in a melodious voice) is expressed as an indispensable element of the Qur'anic recitation in the hadiths "He who does not recite the Qur'an with taghanni is not from us", “Allah never listens to anything as he listens to a prophet with a beautiful voice chanting the Qur’an aloud”, “Allah the mighty and sublime, never listens to anything as he listens to a prophet chanting the Qur’ân” which are the most important hadiths of the Prophet about the recitation of the Qur'an. Within the framework of these hadiths the use of music in the recitation of the Qur'an (taghanni) will be a very correct step for the Qur'an and humanity to meet, get closer and finally merge. The concept of "taghanni" in the Qur'anic recitations, identical and contradictory meanings and interpretations of the concept, and its jurisprudence are analysed. The existence of taghanni in the recitation of the Qur'an is revealed through the recitation of the verses of Âl-i İmran Surah 190-194 with the help of the piraat sound analysis program. In the same verse sample, the core information about the inner music of the Qur'an is presented. Our study has an importance in terms of handling the Qur'anic recitations musically.
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