公共纪念和非洲历史记忆的政治

M. Sikes, Cassandra Mark-Thiesen, M. A. Mihatsch
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引用次数: 1

摘要

2020年,全球反种族主义运动浪潮促使人们重新审视以前的获奖者。从布里斯托尔的奴隶贩子爱德华·科尔斯顿(Edward Colston),到美国南部的邦联将军,再到比利时国王利奥波德二世(Leopold II),如今被视为白人至上主义象征的雕像纷纷倒下非洲的运动挑战了国家认可的纪念活动,从而促成了最近对过去的另类解释的兴起。在埃塞俄比亚的哈拉尔镇,奥罗莫人推倒了海尔·塞拉西父亲拉斯·马科南的纪念碑,他们将父子俩视为帝国主义压迫者在开普敦,桌山山坡上的罗德纪念馆里,白人至上主义者塞西尔·罗兹的雕像被砍了头2015年,针对位于开普敦大学(UCT)的另一座罗德雕像的抗议活动,将对过去不公正的记忆转化为广泛的变革动员,这一运动被称为#罗德必须下台(RMF)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Public Memorialisation and the Politics of Historical Memory in Africa
In 2020, a global wave of anti-racism movements contributed to widespread reconsideration of previously honoured people. From Bristol’s slave trader Edward Colston, to confederate generals across the American South, to King Leopold II of Belgium, statues now seen as symbols of white supremacy have fallen.1 Campaigns in Africa challenged state-endorsed memorialisations, thus contributing to the recent groundswell of alternative interpretations of the past. In the Ethiopian town of Harar, Oromo groups toppled a monument to Haile Selassie’s father, Ras Makonnen, seeing both father and son as imperialist oppressors.2 In Cape Town, a statue of white supremacist Cecil Rhodes at Rhodes Memorial on the slopes of Table Mountain was decapitated.3 In 2015, protests over another statue of Rhodes located at the University of Cape Town (UCT) channelled memories of past injustices into widespread mobilisation for change, a movement known as #RhodesMustFall (RMF).4
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