再次上路:文化批评中的旅行隐喻

J. Wolff
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引用次数: 77

摘要

理论是位移、比较和一定距离的产物。从理论上讲,一个人离开家(Clifford, 1989: 177)。一种适合我们自身情况的政治文化模式必然要提出空间问题作为其基本的组织关注点。因此,我将暂时将这种新的(假设的)文化形式的美学定义为认知映射的美学(Jameson, 1984: 89)。虽然认识到智力实践的特殊力量是很重要的,但它们不能与我们作为日常生活中游牧主体的存在分开……文化批评家是共同旅行者。(格罗斯伯格,1988:388-9)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Road Again: Metaphors of Travel in Cultural Criticism
Theory is a product of displacement, comparison, a certain distance. To theorize, one leaves home (Clifford, 1989: 177). A model of political culture appropriate to our own situation will necessarily have to raise spatial issues as its fundamental organizing concern. I will therefore provisionally define the aesthetic of such new (and hypothetical) cultural form as an aesthetic of cognitive mapping (Jameson, 1984: 89). While it is important to recognize the specific power of intellectual practices, they cannot be separated from our existence as nomadic subjects in everyday life… Cultural critics are co-travelers. (Grossberg, 1988: 388–9)
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