《转弯:近代早期阿姆斯特丹迷宫中的运动与情感》

Performing Conversion Pub Date : 2021-03-16 DOI:10.3366/edinburgh/9781474482721.003.0003

A. Vanhaelen

{"title":"《转弯:近代早期阿姆斯特丹迷宫中的运动与情感》","authors":"A. Vanhaelen","doi":"10.3366/edinburgh/9781474482721.003.0003","DOIUrl":null,"url":null,"abstract":"Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.","PeriodicalId":367257,"journal":{"name":"Performing Conversion","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam\",\"authors\":\"A. Vanhaelen\",\"doi\":\"10.3366/edinburgh/9781474482721.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.\",\"PeriodicalId\":367257,\"journal\":{\"name\":\"Performing Conversion\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Performing Conversion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474482721.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Performing Conversion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474482721.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

阿姆斯特丹的Doolhoven，或迷宫，构成了娱乐空间，也通过将迷宫的概念作为精神转变的寓言，在戏剧性和世俗转换体验之间建立了强烈的联系。本章探讨了这些早期现代迷宫的表演和哲学成分，以及它们许多滑稽把戏的更深层次含义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam

Amsterdam’s Doolhoven, or labyrinths, constituted recreational spaces that also forged a strong connection between theatricality and a secular conversional experience by drawing on the idea of the labyrinth as an allegory for progression toward spiritual transformation. The chapter explores both the performative and philosophical components of these early modern labyrinths and the deeper meaning of their many ludic tricks.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Performing Conversion

自引率

0.00%

发文量