数字绘画:罗马艺术的定量方法

Carla Brain
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引用次数: 0

摘要

研究罗马艺术品的学者经常对某些主题在房屋内的特定区域出现的频率做出笼统的陈述(例如,酒神巴克斯出现在用餐区,维纳斯出现在“卧室”或隔间),而没有对它们进行量化。本文提出,在可能的情况下,基于可量化的信息进行分析是很重要的,因为它确保了基于数字数据的系统方法,并使学者能够清楚地证明他们的结论。在庞贝的绘画、浮雕和马赛克中,维纳斯的表现被用作一个案例研究,以展示这种方法如何在实践中起作用,因为庞贝有近200个维纳斯的表现。本研究对所有这些艺术品采用了设定的标准,涵盖了它们的组成、出处和背景,从而进行了严格的分析和可量化的结论。它还使以前在没有证据支持的情况下提出的被广泛接受的假设得到证实,并在某些情况下被推翻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Painting by Numbers: A Quantitative Approach to Roman Art
Scholars of Roman artworks often make general statements regarding how often certain subjects occurred in certain areas within houses (for instance, Bacchus in dining areas, Venus in ‘bedrooms’ or cubicula) without quantifying them. This paper proposes that, where possible, it is important to base analyses on quantifiable information since it ensures a systematic approach based on numerical data, and enables scholars to clearly evidence their conclusions. Representations of Venus in Pompeian paintings, reliefs, and mosaics are used as a case study to demonstrate how such an approach can work in practice, given the nearly 200 representations of Venus in Pompeii. This study applies set criteria to all of these artworks, covering their composition, provenance, and context, enabling a rigorous analysis and quantifiable conclusions. It also enables widely accepted assumptions, which have previously been given without supporting evidence, to be substantiated and, in some cases, disproved.
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