{"title":"银幕上的塞万提斯","authors":"Duncan Wheeler","doi":"10.1093/oxfordhb/9780198742913.013.30","DOIUrl":null,"url":null,"abstract":"April 2016 marked the four-hundredth anniversary of the deaths of both Miguel de Cervantes and William Shakespeare, with a noticeable lack of attention paid to the former in relation to the latter, even in Spain. A relative lack of film adaptations of Cervantes’s works has been construed as a symptom and cause of the Spaniard’s lack of visibility at home and abroad. This chapter probes this assertion and explores the dialectic between commemorative culture and Spanish screen fictions based on the life and works of Cervantes. Included are discussions of Francoist appropriations of the symbolism of Cervantes in Spanish national heritage, and the attempts to reappropriate those same images in the democratic era through film.","PeriodicalId":377875,"journal":{"name":"The Oxford Handbook of Cervantes","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cervantes on Screen\",\"authors\":\"Duncan Wheeler\",\"doi\":\"10.1093/oxfordhb/9780198742913.013.30\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"April 2016 marked the four-hundredth anniversary of the deaths of both Miguel de Cervantes and William Shakespeare, with a noticeable lack of attention paid to the former in relation to the latter, even in Spain. A relative lack of film adaptations of Cervantes’s works has been construed as a symptom and cause of the Spaniard’s lack of visibility at home and abroad. This chapter probes this assertion and explores the dialectic between commemorative culture and Spanish screen fictions based on the life and works of Cervantes. Included are discussions of Francoist appropriations of the symbolism of Cervantes in Spanish national heritage, and the attempts to reappropriate those same images in the democratic era through film.\",\"PeriodicalId\":377875,\"journal\":{\"name\":\"The Oxford Handbook of Cervantes\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Cervantes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxfordhb/9780198742913.013.30\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Cervantes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780198742913.013.30","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
2016年4月是米格尔·德·塞万提斯(Miguel de Cervantes)和威廉·莎士比亚(William Shakespeare)逝世400周年纪念日,但即便是在西班牙,人们对前者和后者的关系也明显缺乏关注。塞万提斯作品的电影改编相对较少被认为是西班牙人在国内外缺乏知名度的一个症状和原因。本章对这一论断进行了探讨,并以塞万提斯的生平和作品为基础,探讨了纪念文化与西班牙银幕小说之间的辩证关系。书中讨论了佛朗哥主义对西班牙国家遗产中塞万提斯象征主义的挪用,以及在民主时代通过电影重新挪用这些形象的尝试。
April 2016 marked the four-hundredth anniversary of the deaths of both Miguel de Cervantes and William Shakespeare, with a noticeable lack of attention paid to the former in relation to the latter, even in Spain. A relative lack of film adaptations of Cervantes’s works has been construed as a symptom and cause of the Spaniard’s lack of visibility at home and abroad. This chapter probes this assertion and explores the dialectic between commemorative culture and Spanish screen fictions based on the life and works of Cervantes. Included are discussions of Francoist appropriations of the symbolism of Cervantes in Spanish national heritage, and the attempts to reappropriate those same images in the democratic era through film.