在设计中与Ma(中间)相协调

Y. Akama
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引用次数: 15

摘要

本文在设计中采取多元性和“中间性”的立场,以提高我们对中间出现的事物的感知,这些事物无法被抓住,因此落在意识之外。适应这种存在是很重要的,因为设计是对人与人之间的关注和理解的探索和表达,特别是在PD中,涉及调解社会物质关系。为了表达这种“中间性”,本文借用了日本哲学中的“马”概念,以一种感知关系、过程和氛围的方式进行调整。这个概念与设计界共享,作为一种方式,我们经常工作和设计“中间性”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Attuning to Ma (between-ness) in designing
This paper takes the position of plurality and 'between-ness' in designing, to sharpen our perception for things that emerge in-between that cannot be grasped and thus, falls outside of consciousness. Attuning to this presence is important because designing is an exploration and articulation of concerns and understanding among people, and specifically in PD, involved in mediating socio-material relations. In order to articulate this 'between-ness', the paper borrows the notion of Ma in Japanese philosophy to attune into a way of sensing the relational, processual and atmospheric. This notion is shared with the design community as a way to situate that we are, more often than not, working and designing 'between-ness'.
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