{"title":"米哈伊尔·拉里诺夫的《小龙虾静物》","authors":"Sonya Bekkerman","doi":"10.1525/GFC.2002.2.4.10","DOIUrl":null,"url":null,"abstract":"Mikhail Larionov9s Still-Life with Crayfish is a result of the artist sintense engagement\nwith Russian folk art traditions. In attempting to liberate Russian art from the influence of\nthe West, Larionov discovered new formal languages by looking to his heritage and\nbringing into his paintings images derived from icons, lubki (popular prints) as well as\npainted shop signs and children sart. Although Larionov did not spearhead the Russian\ncrafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov9s insistence on russifying Western forms.\nThe lessons of Czanne and the bold experiments of the Fauves figure prominently;\nhowever, the artist9s conception of line, depth and color is a clear reference to lubki . The\nstrident palette reflects Eastern influences, and the feast itself conveys an essentially\nRussian character. Larionov spassionate interest in creating new art forms inclined him\nto draw upon a diversity of sources. His admiration for the stability and timelessness of\nRussian peasant culture, life and art played a critical role in developing his oeuvre and\nallowed him to create a distinctive style independent of the West without wholly rejecting\nit.","PeriodicalId":429420,"journal":{"name":"Gastronomica: The Journal of Critical Food Studies","volume":"259 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2002-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mikhail Larionov's Still Life with Crayfish\",\"authors\":\"Sonya Bekkerman\",\"doi\":\"10.1525/GFC.2002.2.4.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mikhail Larionov9s Still-Life with Crayfish is a result of the artist sintense engagement\\nwith Russian folk art traditions. In attempting to liberate Russian art from the influence of\\nthe West, Larionov discovered new formal languages by looking to his heritage and\\nbringing into his paintings images derived from icons, lubki (popular prints) as well as\\npainted shop signs and children sart. Although Larionov did not spearhead the Russian\\ncrafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov9s insistence on russifying Western forms.\\nThe lessons of Czanne and the bold experiments of the Fauves figure prominently;\\nhowever, the artist9s conception of line, depth and color is a clear reference to lubki . The\\nstrident palette reflects Eastern influences, and the feast itself conveys an essentially\\nRussian character. Larionov spassionate interest in creating new art forms inclined him\\nto draw upon a diversity of sources. His admiration for the stability and timelessness of\\nRussian peasant culture, life and art played a critical role in developing his oeuvre and\\nallowed him to create a distinctive style independent of the West without wholly rejecting\\nit.\",\"PeriodicalId\":429420,\"journal\":{\"name\":\"Gastronomica: The Journal of Critical Food Studies\",\"volume\":\"259 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2002-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gastronomica: The Journal of Critical Food Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/GFC.2002.2.4.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gastronomica: The Journal of Critical Food Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/GFC.2002.2.4.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Mikhail Larionov9s Still-Life with Crayfish is a result of the artist sintense engagement
with Russian folk art traditions. In attempting to liberate Russian art from the influence of
the West, Larionov discovered new formal languages by looking to his heritage and
bringing into his paintings images derived from icons, lubki (popular prints) as well as
painted shop signs and children sart. Although Larionov did not spearhead the Russian
crafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov9s insistence on russifying Western forms.
The lessons of Czanne and the bold experiments of the Fauves figure prominently;
however, the artist9s conception of line, depth and color is a clear reference to lubki . The
strident palette reflects Eastern influences, and the feast itself conveys an essentially
Russian character. Larionov spassionate interest in creating new art forms inclined him
to draw upon a diversity of sources. His admiration for the stability and timelessness of
Russian peasant culture, life and art played a critical role in developing his oeuvre and
allowed him to create a distinctive style independent of the West without wholly rejecting
it.