从怀特海的有机体哲学看弗吉尼亚·伍尔夫晚期作品中的“本体伦理学”

Veronika Krajickova
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摘要

在《过去的素描》(A Sketch of the Past)一书中,弗吉尼亚·伍尔夫(Virginia Woolf)介绍了她的个人哲学,她自己的本体论,基于所有人类和非人类都在一件艺术作品中相互联系的观点。这一思想在她的小说《海浪》、《行为之间》和和平主义宣言《三个基尼》中得到了突出体现。在《三个基尼》中,伍尔夫充分发展了她的“本体伦理学”,即人类的本体论联系以及对每个人类和非人类的价值的认识。本文通过阿尔弗雷德·诺斯·怀特黑德的有机体哲学来讨论这种普遍的关系,该哲学强调现实的所有组成部分的相互关系以及源于这种本体论纽带的团结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Virginia Woolf's "Ontoethics" in Her Late Oeuvre from the Perspective of Alfred North Whitehead's Philosophy of Organism
In "A Sketch of the Past," Virginia Woolf introduces her personal philosophy, her own ontology, based on the idea that all human and nonhuman beings are interconnected in a single work of art. This idea is foregrounded in her novels The Waves, Between the Acts, and the pacifist manifesto Three Guineas, where Woolf fully develops her "ontoethics," which consists in ontological interconnection of human beings and recognition of value of every human and nonhuman being. This article discusses this universal relationality via Alfred North Whitehead's philosophy of organism, which emphasizes the interrelatedness of all constituents of reality and solidarity that springs from this ontological bond.
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