{"title":"文本和传统","authors":"Beatrice Groves","doi":"10.1093/acprof:oso/9780199208982.001.0001","DOIUrl":null,"url":null,"abstract":"Introduction 1. Drama and the Word: The Bible on the early modern stage 2. Shakespeare's incarnational aesthetic: The mystery plays and Catholicism 3. Comedic form and paschal motif in the first and second quartos of Romeo and Juliet 4. 'I am not he shall buyld the Lord a house': Religious imagery and the succession to the English throne in King John 5. : 'Covering discretion with a coat of folly': The redemptive self-fashioning of Hal 6. 'Usurp the beggary he was never born to': Measure for Measure and the questioning of divine kingship Conclusion","PeriodicalId":404952,"journal":{"name":"Research Handbook on Natural Law Theory","volume":"81 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"20","resultStr":"{\"title\":\"Texts and traditions\",\"authors\":\"Beatrice Groves\",\"doi\":\"10.1093/acprof:oso/9780199208982.001.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Introduction 1. Drama and the Word: The Bible on the early modern stage 2. Shakespeare's incarnational aesthetic: The mystery plays and Catholicism 3. Comedic form and paschal motif in the first and second quartos of Romeo and Juliet 4. 'I am not he shall buyld the Lord a house': Religious imagery and the succession to the English throne in King John 5. : 'Covering discretion with a coat of folly': The redemptive self-fashioning of Hal 6. 'Usurp the beggary he was never born to': Measure for Measure and the questioning of divine kingship Conclusion\",\"PeriodicalId\":404952,\"journal\":{\"name\":\"Research Handbook on Natural Law Theory\",\"volume\":\"81 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"20\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research Handbook on Natural Law Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/acprof:oso/9780199208982.001.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research Handbook on Natural Law Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/acprof:oso/9780199208982.001.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Introduction 1. Drama and the Word: The Bible on the early modern stage 2. Shakespeare's incarnational aesthetic: The mystery plays and Catholicism 3. Comedic form and paschal motif in the first and second quartos of Romeo and Juliet 4. 'I am not he shall buyld the Lord a house': Religious imagery and the succession to the English throne in King John 5. : 'Covering discretion with a coat of folly': The redemptive self-fashioning of Hal 6. 'Usurp the beggary he was never born to': Measure for Measure and the questioning of divine kingship Conclusion
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