"就像我们有自己的节奏"音乐治疗对精神创伤患者心理健康治疗的影响调节

Oda Dypvik Bjørke, B. Beck
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引用次数: 0

摘要

本文探讨了音乐疗法如何有助于治疗与关系创伤经历相关的影响调节挑战的个体。通过对一名患有复杂创伤后应激障碍的男性进行音乐治疗的个案研究,探讨了情感调节。该案例代表了一家精神病院的临床工作,在一个病房对患有严重精神疾病和滥用药物的人进行门诊治疗。基于交际音乐性、主体间性和创伤学理论,对音乐治疗即兴表演和言语互动的文本进行了分析和讨论。研究中使用的方法是一种溯因解释的主题分析,其基础是对数据的解释学解释。分析中出现的两个主要主题是“音乐互动作为共同调节”和“音乐作为创造性(再)来源”,副主题是“音乐干预作为调节工具”,“从调节到关系的过程”,“音乐自我代理”和“音乐治疗作为实验场所”。临床音乐治疗中的情绪调节有待进一步研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“It’s Like we Have Our Own Rhythm”. Music Therapeutic Affect Regulation in a Case Study of a Traumatized Patient in Mental Health Treatment
This article explores how music therapy can contribute to the treatment of individuals with affect regulation challenges related to relational traumatic experiences. Affect regulation was investigated through a case study of music therapy with a man with complex post-traumatic stress disorder. The case represents clinical work in a psychiatric hospital, on a ward for ambulatory treatment of people with severe mental illness and substance abuse challenges. Based on theories of communicative musicality, intersubjectivity and traumatology, an analysis of transcripts of music therapy improvisations and verbal interaction is presented and discussed. The method used in the study is an abductive explanatory thematic analysis grounded in hermeneutic interpretation of data. The two main themes emerging from the analysis are “Musical interaction as co-regulation” and “Music as a creative (re)source” with the subthemes “Musical interventions serves as a regulation tool”, “A process from regulation to relationship, “Musical self-agency” and “Music therapy as an experimental playground”. Further studies on affect regulation in clinical music therapy are warranted.
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