堕落与交叉的跨性别女性身份:通过马拉雅拉姆电影审视“做性别”

A. Varghese, Tanupriya Tanupriya
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引用次数: 0

摘要

对令人烦恼的社会性别规范的不认同使跨性别身份处于一种卑贱的状态。媒体,主要是电影,在塑造、回避和传播这些意识形态方面发挥着不可或缺的作用。为了理解这一话语,马拉雅拉姆电影《Ardhanaari》(2015)和《Njan Marykutty》(2018)探讨了Kristeva提出的“弃儿”(abjection)概念,以及West和Zimmerman提出的“做性别”(doing gender)问题。该研究认为,跨性别身份所面临的困境迫使他们按照顺规范的女性气质来表现自己的性别。该研究进一步认为,跨性别认同应该接受“落后者”,并将其作为一种政治工具,以破坏已确立的霸权传统性别结构及其定义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Abjection and Intersecting Trans Women Identities: Examining “Doing Gender” through Malayalam Movies Ardhanaari and Njan Marykutty
The non-confirmation to vexed societal gender norms places trans identities in an abjected state. Media, mainly cinema, plays an indispensable role in shaping, shunning, and promulgating such ideologies. To understand this discourse, the Malayalam films Ardhanaari (2015) and Njan Marykutty (2018) are taken to examine the question of “abjection”, a concept by Kristeva, and “doing gender”, by West and Zimmerman. The study argues that the abjection trans identities face forces them to perform their gender in accordance with cisnormative femininity. The study further argues that trans identities should embrace abjection and employ it as a political tool to disrupt the established hegemonic traditional gender structure and its definitions.
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