{"title":"乔治·艾略特的原始环境主义的兴起","authors":"Sophie Christman","doi":"10.5325/DICKSTUDANNU.50.1.0081","DOIUrl":null,"url":null,"abstract":"abstract:The “Ilfracombe” journals, “Ex Oriente Lux,” and “A Minor Prophet” register the ways in which George Eliot’s nineteenth-century nonfiction prose and poetry evidence ecotheological concerns that are proto-environmental, concerns that are also reflected in some of her novels. Employing an ecocritical methodology, this article traces the development of Eliot’s ecological literacy, beginning with her scientific field observations that incubated what would become her lifelong literary aesthetic of moral sympathy put forth in “The Natural History of German Life.” Eliot’s initial moral sympathy advanced to an ecotheological perspective made visible in both Eliot’s unpublished lyric poem “Ex Oriente Lux” and her canonic verse “A Minor Prophet.” Eliot’s early and mature writings countervailed the competing discourses of theology and science as they relate to the natural environment.","PeriodicalId":195639,"journal":{"name":"Dickens Studies Annual: Essays on Victorian Fiction","volume":"520 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Rise of Proto-Environmentalism in George Eliot\",\"authors\":\"Sophie Christman\",\"doi\":\"10.5325/DICKSTUDANNU.50.1.0081\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:The “Ilfracombe” journals, “Ex Oriente Lux,” and “A Minor Prophet” register the ways in which George Eliot’s nineteenth-century nonfiction prose and poetry evidence ecotheological concerns that are proto-environmental, concerns that are also reflected in some of her novels. Employing an ecocritical methodology, this article traces the development of Eliot’s ecological literacy, beginning with her scientific field observations that incubated what would become her lifelong literary aesthetic of moral sympathy put forth in “The Natural History of German Life.” Eliot’s initial moral sympathy advanced to an ecotheological perspective made visible in both Eliot’s unpublished lyric poem “Ex Oriente Lux” and her canonic verse “A Minor Prophet.” Eliot’s early and mature writings countervailed the competing discourses of theology and science as they relate to the natural environment.\",\"PeriodicalId\":195639,\"journal\":{\"name\":\"Dickens Studies Annual: Essays on Victorian Fiction\",\"volume\":\"520 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dickens Studies Annual: Essays on Victorian Fiction\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/DICKSTUDANNU.50.1.0081\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dickens Studies Annual: Essays on Victorian Fiction","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/DICKSTUDANNU.50.1.0081","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
摘要
“Ilfracombe”期刊、“Ex Oriente Lux”和“A Minor Prophet”记录了乔治·艾略特19世纪的非虚构散文和诗歌如何证明原始环境的生态神学关注,这些关注也反映在她的一些小说中。本文采用生态批评的方法论,追溯艾略特生态素养的发展,从她的科学实地观察开始,这些观察孕育了她一生的道德同情文学美学,并在《德国生活的自然史》中提出。艾略特最初的道德同情发展到了生态神学的观点,这在艾略特未发表的抒情诗《Ex Oriente Lux》和她的正典诗《A Minor Prophet》中都可以看到。艾略特早期和成熟的作品与神学和科学的竞争话语相抗衡,因为它们与自然环境有关。
The Rise of Proto-Environmentalism in George Eliot
abstract:The “Ilfracombe” journals, “Ex Oriente Lux,” and “A Minor Prophet” register the ways in which George Eliot’s nineteenth-century nonfiction prose and poetry evidence ecotheological concerns that are proto-environmental, concerns that are also reflected in some of her novels. Employing an ecocritical methodology, this article traces the development of Eliot’s ecological literacy, beginning with her scientific field observations that incubated what would become her lifelong literary aesthetic of moral sympathy put forth in “The Natural History of German Life.” Eliot’s initial moral sympathy advanced to an ecotheological perspective made visible in both Eliot’s unpublished lyric poem “Ex Oriente Lux” and her canonic verse “A Minor Prophet.” Eliot’s early and mature writings countervailed the competing discourses of theology and science as they relate to the natural environment.