现实主义和自然主义小说的审查制度,过去和现在

Caren J. Town
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引用次数: 0

摘要

这一章的重点是几个现实主义和自然主义的作品,已经受到审查的图书馆员,编辑,出版商,或法律制度。它考察了作家以及后来的评论家和传记作家对审查制度的指控,包括马克·吐温的《哈克贝利·费恩历险记》(1884)、夏洛特·帕金斯·吉尔曼的《黄色墙纸》(1892)、斯蒂芬·克莱恩的《玛吉:街上的女孩》(1893)和《红色勇气勋章》(1895)、哈姆林·加兰的《荷兰库利的玫瑰》(1895)、凯特·肖邦的《觉醒》(1899)、西奥多·德莱塞的《嘉莉妹妹》(1901)和《美国悲剧》(1925)以及厄普顿·辛克莱的《丛林》(1906)。最后,它将审查问题的历史背景与最近在大学校园中关于言论规范的辩论以及当代公立学校的书籍审查和言论自由案例联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Censorship of Realist and Naturalist Novels, Then and Now
This chapter focuses on several realist and naturalist works that have been subject to censorship by librarians, editors, publishers, or the legal system. It examines censorship allegations made by authors and later by critics and biographers about Mark Twain’s Adventures of Huckleberry Finn (1884), Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892), Stephen Crane’s Maggie: A Girl of the Streets (1893) and The Red Badge of Courage (1895), Hamlin Garland’s The Rose of Dutcher’s Cooley (1895), Kate Chopin’s The Awakening (1899), Theodore Dreiser’s Sister Carrie (1901) and An American Tragedy (1925), and Upton Sinclair’s The Jungle (1906). Finally, it connects the historical context of the censorship issue to the recent debates on college campuses about speech codes and to contemporary book censorship and free-speech cases in the public schools.
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