{"title":"十八世纪下半叶在罗马的英国艺术商人","authors":"N. Makarova","doi":"10.17212/2075-0862-2023-15.1.2-312-325","DOIUrl":null,"url":null,"abstract":"In the second half of the 18th century, an antique market flourished in Rome. That was largely due to the increased interest in the culture of the Ancient World, associated with excavations in Pompeii and Herculaneum, as well as with the activities of the German art historian Johann Joachim Winckelmann, who was convinced of the need to turn to the art of antiquity, which, in his opinion, had ideal beauty and was capable of cultivating a noble artistic taste. In European countries and in Russia, collections of antiques were formed during that period. Travelers who came to Rome tended to buy ancient sculptures, gems, vases. They turned to antique dealers working in this art market. A special place among the antique dealers belonged to the British, such as Gavin Hamilton, Thomas Jenkins and James Byres. It is largely thanks to their efforts that excellent private collections of ancient art have been formed in Great Britain and interest in art in general has been developing. The article examines the activities of these antique dealers on the examples of two English collectors depicted in the portraits of the Italian artist Pompeo Batoni: William Weddell and Peter Beckford.","PeriodicalId":336825,"journal":{"name":"Ideas and Ideals","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"British Art Dealers in Rome in the Second Half of the XVIII Century\",\"authors\":\"N. Makarova\",\"doi\":\"10.17212/2075-0862-2023-15.1.2-312-325\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the second half of the 18th century, an antique market flourished in Rome. That was largely due to the increased interest in the culture of the Ancient World, associated with excavations in Pompeii and Herculaneum, as well as with the activities of the German art historian Johann Joachim Winckelmann, who was convinced of the need to turn to the art of antiquity, which, in his opinion, had ideal beauty and was capable of cultivating a noble artistic taste. In European countries and in Russia, collections of antiques were formed during that period. Travelers who came to Rome tended to buy ancient sculptures, gems, vases. They turned to antique dealers working in this art market. A special place among the antique dealers belonged to the British, such as Gavin Hamilton, Thomas Jenkins and James Byres. It is largely thanks to their efforts that excellent private collections of ancient art have been formed in Great Britain and interest in art in general has been developing. The article examines the activities of these antique dealers on the examples of two English collectors depicted in the portraits of the Italian artist Pompeo Batoni: William Weddell and Peter Beckford.\",\"PeriodicalId\":336825,\"journal\":{\"name\":\"Ideas and Ideals\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ideas and Ideals\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17212/2075-0862-2023-15.1.2-312-325\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ideas and Ideals","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17212/2075-0862-2023-15.1.2-312-325","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
18世纪下半叶,罗马的古董市场繁荣起来。这在很大程度上是由于人们对古代世界文化的兴趣日益浓厚,这与庞贝和赫库兰尼姆的发掘有关,以及德国艺术史学家约翰·约阿希姆·温克尔曼(Johann Joachim Winckelmann)的活动有关。温克尔曼确信有必要转向古代艺术,在他看来,古代艺术具有理想的美,能够培养高尚的艺术品味。在欧洲国家和俄罗斯,在这一时期形成了古董收藏。来罗马的旅行者倾向于购买古代雕塑、宝石和花瓶。他们求助于艺术品市场上的古董商。英国人在古董商中占有特殊的地位,如加文·汉密尔顿、托马斯·詹金斯和詹姆斯·拜尔斯。在很大程度上,由于他们的努力,英国形成了优秀的古代艺术私人收藏,人们对艺术的兴趣也得到了普遍的发展。本文以意大利艺术家蓬佩奥·巴托尼(Pompeo Batoni)肖像中的两位英国收藏家威廉·威德尔(William Weddell)和彼得·贝克福德(Peter Beckford)为例,考察了这些古董商的活动。
British Art Dealers in Rome in the Second Half of the XVIII Century
In the second half of the 18th century, an antique market flourished in Rome. That was largely due to the increased interest in the culture of the Ancient World, associated with excavations in Pompeii and Herculaneum, as well as with the activities of the German art historian Johann Joachim Winckelmann, who was convinced of the need to turn to the art of antiquity, which, in his opinion, had ideal beauty and was capable of cultivating a noble artistic taste. In European countries and in Russia, collections of antiques were formed during that period. Travelers who came to Rome tended to buy ancient sculptures, gems, vases. They turned to antique dealers working in this art market. A special place among the antique dealers belonged to the British, such as Gavin Hamilton, Thomas Jenkins and James Byres. It is largely thanks to their efforts that excellent private collections of ancient art have been formed in Great Britain and interest in art in general has been developing. The article examines the activities of these antique dealers on the examples of two English collectors depicted in the portraits of the Italian artist Pompeo Batoni: William Weddell and Peter Beckford.